You Took Advantage of Me (From "Present Arms") Sheet Music Preview

You Took Advantage of Me (From "Present Arms"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010427

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010427

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) was one of Broadway's most prolific and influential composers, creating the musical language that defined the American musical theatre for over four decades. Working first with lyricist Lorenz Hart and later with Oscar Hammerstein II, Rodgers composed melodies of extraordinary singability and harmonic sophistication that remain central to the vocal repertoire. His gift for writing memorable tunes within deeply theatrical contexts makes his work essential study for any singer serious about musical theatre.

Why we love this

This collection anchors singers in the Rodgers catalog at a time when audition requirements demand both versatility and authenticity. The inclusion of "You Took Advantage of Me" alongside dozens of other Rodgers treasures offers singers the chance to discover material beyond the most obvious showstoppers while maintaining the highest standards of historical accuracy and artistic context.

What to expect

Rodgers' melodies have a directness and warmth that feel both intimate and theatrical. These songs sit naturally in the voice when sung with attention to his gift for vocal phrasing, and the piano accompaniments support rather than compete with your singing, allowing the focus to remain on the story you're telling.

Who it's for

Singers preparing for auditions, developing their audition book, or studying the foundational repertoire of American musical theatre will find this collection indispensable. Whether you're a young performer just beginning to navigate musical theatre material or an experienced singer expanding your knowledge of Rodgers' complete output, the historical notes and professional transcriptions make this a serious study tool.

How to get the most out of it

  • Study the 16-bar cut suggestions provided for each song; they're designed by professionals who understand audition protocol and will help you present the song's strongest moment in a time-limited setting.
  • Pay attention to the harmonic language Rodgers uses to support your vocal line; his chords often contain unexpected turns that reward careful listening and can deepen your interpretation.
  • Use the contextual notes to understand each song's dramatic moment in its original show, which will inform your character work and emotional specificity.

How to use it

Build an entire concert around the Rodgers catalog using selections from this collection, or mine it for audition material tailored to your specific vocal range and dramatic needs. The breadth of shows represented means you can construct a program that showcases different facets of Rodgers' writing without retreading familiar ground.

Skills your students will build

  • Reading and interpreting authentic Broadway vocal scores
  • Understanding song structure and identifying effective 16-bar cuts for audition contexts
  • Performing Rodgers' harmonic language with stylistic accuracy
  • Connecting character development to melodic interpretation

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