Holding to the Ground (From "Falsettos") Sheet Music Preview

Holding to the Ground (From "Falsettos"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010459

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Sample Audio

Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010459

More about this title

About the Composer: William Finn

William Finn revolutionized musical theatre with his distinctive compositional voice, blending intricate harmonies, conversational lyrics, and emotional depth that redefined what Broadway could express. His work spans from intimate chamber musicals to large-scale productions, earning him Tony Awards and establishing him as a composer who writes specifically for the human voice with extraordinary sophistication and care.

Why we love this

This collection captures "Holding to the Ground" in its original key with authentic transcription from the vocal score, giving singers direct access to how Finn conceived the song. The surrounding context from other shows spanning decades demonstrates the breadth of his output and his consistent ability to write character-driven material that reveals psychological depth through music.

What to expect

Finn's music balances intellectual complexity with emotional rawness. "Holding to the Ground" lives in that space where vulnerability meets resilience, where the piano accompaniment and vocal line work together to express something too nuanced for words alone.

Who it's for

This collection serves singers preparing for auditions, working on recitals, or studying the Broadway repertoire with serious intent. Whether you're a mezzo-soprano/alto exploring material in your original key or a student of musical theatre wanting authentic, professionally transcribed scores, this resource provides both the music and the historical context needed for informed performance.

How to get the most out of it

  • Honor the conversational phrasing Finn typically builds into his melodies; let the natural speech rhythms guide your interpretation rather than forcing strict metric precision.
  • Pay close attention to the harmonic movement in the accompaniment, as Finn's piano writing often contains emotional subtext that supports the lyrical narrative.
  • Use the 16-bar cut suggestions as a starting point, but study the full song first to understand how the narrative arc informs which sections can be trimmed without losing meaning.

How to use it

Include this song in a recital that explores character songs from contemporary musical theatre, or use it as a centerpiece in a concert dedicated to Finn's work. The audition tips and cut suggestions also make this invaluable for students preparing for competitive vocal programs or theatre auditions.

Skills your students will build

  • Interpreting contemporary musical theatre melody with sophisticated harmonic language
  • Using historical and contextual information to inform performance choices
  • Applying professional audition practices and cut strategies
  • Reading and performing from authentic vocal score transcriptions

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