My Man's Gone Now   (From "Porgy and Bess") Sheet Music Preview

My Man's Gone Now (From "Porgy and Bess"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010392

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010392

More about this title

About the Composer: Du Bose Heyward

Du Bose Heyward was a South Carolina author and lyricist who drew deeply from the culture and landscape of the American South. Working with composer George Gershwin and lyricist Ira Gershwin, Heyward created the libretto and lyrics for Porgy and Bess, one of the most ambitious and performed operas in the American canon.

Heyward's literary sensibility shaped the emotional core of the score. His understanding of dialect, character voice, and narrative poetry gave the music its distinctive Southern authenticity and human depth, making the work a cornerstone of American musical theatre education.

Why we love this

This collection gathers songs in their original keys from authentic vocal scores, which means singers encounter the material exactly as it was written and performed on Broadway. The editorial apparatus sets this apart from casual songbooks: each entry includes historical context, audition guidance, and carefully vetted cut suggestions that respect the song's integrity while acknowledging practical performance realities.

What to expect

These songs carry the weight of American musical theatre history, blending operatic ambition with Broadway storytelling. There is an elegance to the writing, a respect for the human voice, and an emotional generosity that invites singers to dig into character and vulnerability.

Who it's for

Singers preparing for auditions, recitals, or performance study will find authentic arrangements rooted in the original vocal scores. This collection also serves music teachers and coaches who need reliable, historically grounded material for developing singers across multiple vocal ranges.

How to get the most out of it

  • Study the historical and contextual notes provided for each song; they clarify the dramatic situation and character motivation, which directly informs vocal choices and phrasing.
  • Use the 16-bar cut suggestions as a starting point, but understand them as options rather than requirements. Your audition panel and performance context should guide your final choice.
  • Work through the chords deliberately, even if an accompanist is providing the support. This trains your ear to hear harmonic function and builds confidence in finding your way back if the accompaniment shifts.
  • Record yourself singing with the piano part so you can hear how your voice sits in the harmonic texture and identify where you need projection or breath support to carry the line.

How to use it

Select individual songs for recital programs that explore the evolution of musical theatre song, or use them as audition repertoire that demonstrates stylistic range and maturity. The breadth of the collection makes it valuable for voice classes studying how song function across different dramatic contexts and eras.

Skills your students will build

  • Singing sustained phrases with textual clarity over jazz and chromatic harmonic progressions
  • Interpreting American vernacular and period-appropriate vocal production
  • Reading and performing from authentic vocal score notation
  • Understanding character motivation and dramatic context within musical form

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