Safety in Numbers: Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010513
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Sample Audio
Lucky To Be Me from On The Town
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Additional Details
More about this title
About the Composer: Sandy Wilson
Sandy Wilson composed and wrote lyrics for The Boy Friend, one of the most enduring British musicals of the twentieth century. His gift for melody and comic timing established him as a master of the musical theatre form, and his influence extends across generations of performers seeking witty, singable material that rewards both study and stage performance.
Why we love this
This collection spans over a century of Broadway and musical theatre history, curating songs specifically by vocal range so singers find material that sits naturally in their voice. The contextual notes and audition cuts transform a song book into a genuine study tool, making preparation for auditions and recitals both efficient and informed. You get authenticity here: original keys and transcriptions from actual vocal scores mean what you're singing matches what was written for Broadway stages.
What to expect
You're holding decades of theatrical joy and wit. From the comedic sparkle of mid-century musicals to the contemporary storytelling of modern shows, these songs carry the specific vocal character their creators imagined. The material feels genuinely singable rather than transposed or adapted, and the range of emotional terrain spans comedy, romance, yearning, and character comedy.
Who it's for
Singers preparing for auditions and recitals benefit immediately from the range-specific curation and audition cuts included here. Whether you're in a college voice studio, working with a private coach, or building a cabaret repertoire, this library offers authentic Broadway material in original keys with the scholarship to back up your choices.
How to get the most out of it
- Read the historical commentary before rehearsing each song. Understanding the character's situation and the show's context shapes your interpretation choices and prevents generic readings.
- Study the 16-bar cut suggestions as a starting point for audition preparation, but use them to learn how phrases connect. Understanding why these cuts work teaches you about song structure.
- Check accompaniment resources separately; this collection provides the melody, lyrics, and chord symbols for study and performance with live musicians or recorded tracks.
How to use it
Singers can draw from this collection for recital programs that showcase range and style diversity across eras. Use it to support audition preparation by selecting songs that suit both your voice and your artistic instincts, then deepen your understanding with the provided context. For private voice instruction, it serves as a repertoire resource that keeps singers engaged with authentic Broadway material throughout the year.
Skills your students will build
- Sight-reading music notation with chord symbols
- Interpreting character and context from musical theatre
- Selecting and preparing audition cuts from full songs
- Understanding song structure and phrasing across diverse styles
- Building repertoire in original vocal keys