A Little Bit of Good (From "Chicago") Sheet Music Preview

A Little Bit of Good (From "Chicago"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010366

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010366

More about this title

About the Composer: John Kander

John Kander has shaped American musical theatre across five decades, collaborating most famously with lyricist Fred Ebb on works including Chicago, Cabaret, and Kiss of the Spider Woman. His music balances sophisticated harmonic language with immediate theatrical impact, making his songs both challenging and deeply rewarding for performers who understand their dramatic context. Kander's ability to write for distinct vocal characters and his gift for creating songs that propel narrative have made him essential study for any singer serious about musical theatre repertoire.

Why we love this

This collection grounds singers in the actual vocal keys used in Broadway productions, eliminating the guesswork that comes with transposed versions. Kander's theatrical sophistication means every song rewards detailed study of both lyric and music, deepening a performer's interpretive choices. Having authoritative audition cuts and contextual notes for each selection transforms what could be a song book into a masterclass.

What to expect

Opening these pages connects you to Broadway itself. The music ranges from intimate character moments to expansive theatrical numbers, each one crafted with the specificity that defines great musical theatre writing. You're studying songs that actors have used to define iconic roles on stage.

Who it's for

This collection serves singers preparing for auditions or performances who want authentic versions of Broadway repertoire in their own vocal range. It's equally valuable for voice teachers building a student's musical theatre foundation and for performers who want to move beyond transposed versions to the genuine theatrical material.

How to get the most out of it

  • Study the historical context provided for each song. Understanding the character's dramatic situation and the show's era directly informs phrasing and emotional specificity.
  • Pay attention to Kander's harmonic language, particularly his use of chromaticism and unexpected chord movement. These moments often carry the emotional weight of the text.
  • Use the 16-bar cut suggestions as starting points for audition preparation, but learn the full song first to understand what the cut is omitting musically and dramatically.

How to use it

Assign songs from this collection as semester-long study pieces for voice students, pairing the repertoire with listening to original cast recordings. A solo concert built from selections across multiple shows demonstrates a singer's range while honoring the theatrical context each song demands. This also serves as essential preparation for college auditions or professional theatre callbacks.

Skills your students will build

  • Authentic Broadway vocal styling and phrasing conventions
  • Musical theatre character development through analysis of lyric-music relationships
  • Strategic audition preparation using legitimate 16-bar cuts
  • Harmonic literacy in Kander's distinctive compositional language
  • Understanding historical context and show-specific vocal demands

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