Tell Me (From "Marie Christine") Sheet Music Preview

Tell Me (From "Marie Christine"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010413

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010413

More about this title

About the Composer: Michael LaChiusa

Michael LaChiusa is a composer and lyricist whose theatrical works span Broadway, off-Broadway, and concert music. His compositional voice draws on contemporary classical techniques, intricate harmonies, and deeply personal storytelling, creating music that challenges and moves performers and audiences alike.

LaChiusa's scores for Marie Christine, The Light in the Piazza, and Hello, Again have earned recognition for their sophisticated harmonic language and emotional directness. His work appears regularly in music theatre curricula and recital programs, valued by singers seeking material that demands both technical skill and interpretive maturity.

Why we love this

LaChiusa's Broadway contributions offer singers music that refuses easy sentimentality. His melodies sit naturally in the voice while his harmonic progressions create genuine dramatic tension; this song from Marie Christine exemplifies how contemporary musical theatre writing can be both singable and artistically substantial. Directors programming audition song collections appreciate having access to thoroughly prepared, authoritative editions of contemporary repertoire that still feels fresh in the room.

What to expect

LaChiusa's writing carries emotional weight without theatrical excess. This song lives in the space between vulnerability and restraint, with harmonic language that can feel modern and slightly unsettling even as the melody remains accessible. Singing it well requires both vocal control and emotional honesty.

Who it's for

Singers preparing audition material for musical theatre programs, professional auditions, and recitals who seek contemporary Broadway songs with substance. This collection works equally well for classical voice students exploring music theatre repertoire and experienced performers looking for character songs that offer real interpretive challenges.

How to get the most out of it

  • Study the harmonic structure carefully before focusing on interpretation; LaChiusa's chord progressions often shift emotional weight unexpectedly, and understanding the architecture helps you shape each phrase with intention.
  • Use the original key as written. This song's tessitura and harmonic content are calibrated for its stated range; transposing may flatten the emotional impact.
  • Let the text rhythm guide your phrasing rather than imposing a predetermined shape. LaChiusa's lyric-setting often places stresses on unexpected syllables for dramatic effect.
  • Connect the accompaniment figures to your vocal line rather than singing over them; the piano writing reinforces character and emotional stakes.

How to use it

Include this in upper-level voice studio recitals alongside art songs and classical material to demonstrate a singer's range across genres. In musical theatre curricula, use it as a study piece for understanding contemporary compositional approaches to character song writing. The accompaniment complexity also makes it valuable for collaborative pianists seeking challenging contemporary material.

Skills your students will build

  • Reading and interpreting contemporary harmonic language
  • Maintaining vocal line independence from complex piano accompaniment
  • Audition preparation with original keys and authentic transcriptions
  • Text expression in contemporary musical theatre idiom

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