What a Nice Idea? (From "Two Gentlemen of Verona") Sheet Music Preview

What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010477

Digital Download
$4.99

One moment…

Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio

Over The Rainbow from The Wizard Of Oz

0:00
0:00
Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010477

More about this title

About the Composer: Galt MacDermot

Galt MacDermot (1928-2018) composed the groundbreaking score for Hair, which brought rock and roll sensibilities to Broadway in 1967 and fundamentally changed how musical theatre engaged with contemporary music. Beyond Hair, he wrote for over a dozen Broadway productions and film scores, always drawing on his facility with diverse musical idioms from jazz to classical to world music traditions.

Why we love this

This collection spans decades of musical theatre in a single, authoritative source with each song presented in its original key and transcribed directly from the published vocal scores. The inclusion of audition tips and 16-bar cut suggestions transforms it from a reference book into a practical coaching tool that singers can use immediately for preparation and performance.

What to expect

Opening this book feels like having a master class in musical theatre history at your fingertips. Each song carries the weight and elegance of its original context, from intimate character moments to soaring ensemble showstoppers, and the accompaniments support the emotional truth of each lyric with sophisticated harmonic language.

Who it's for

This collection serves singers at all levels who are building their musical theatre repertoire, from high school performers discovering Broadway standards to professional actors preparing for auditions and performances. If you're serious about musical theatre singing, you need access to the original keys and authentic orchestrations that casting directors and accompanists expect.

How to get the most out of it

  • Study the historical and contextual notes provided for each song before diving into the music; understanding the character's arc and the show's dramatic moment will inform your interpretation and song choices.
  • Use the 16-bar cut suggestions as a starting point for audition preparation, but remember they're guidelines, not requirements; many casting directors appreciate a singer who knows the material deeply enough to make intentional cuts.
  • Experiment with the chord voicings on the piano part to find what works for your voice and range; these transcriptions honor the original orchestrations, so the accompaniment patterns may differ from simplified lead sheets you've encountered elsewhere.

How to use it

Select songs from this collection for recital programming when you want to feature musical theatre alongside art song or classical repertoire; the variety and quality of material makes it easy to build a cohesive program that showcases your range and artistry. Use it as your primary source when preparing for musical theatre auditions, since the authentic transcriptions ensure you're learning the songs as the original composers and orchestrators intended.

Skills your students will build

  • Reading piano accompaniments with complex harmonic voicings and jazz-influenced chord progressions
  • Interpreting character-driven material across multiple genres and decades of theatre
  • Sustaining musical storytelling over longer song forms with varied section structures
  • Understanding historical context and dramatic intention in song selection and performance choices

You May Also Like