What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010477
One moment…
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Description
Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).
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Sample Audio
Over The Rainbow from The Wizard Of Oz
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Additional Details
More about this title
About the Composer: Galt MacDermot
Galt MacDermot (1928-2018) composed the groundbreaking score for Hair, which brought rock and roll sensibilities to Broadway in 1967 and fundamentally changed how musical theatre engaged with contemporary music. Beyond Hair, he wrote for over a dozen Broadway productions and film scores, always drawing on his facility with diverse musical idioms from jazz to classical to world music traditions.
Why we love this
This collection spans decades of musical theatre in a single, authoritative source with each song presented in its original key and transcribed directly from the published vocal scores. The inclusion of audition tips and 16-bar cut suggestions transforms it from a reference book into a practical coaching tool that singers can use immediately for preparation and performance.
What to expect
Opening this book feels like having a master class in musical theatre history at your fingertips. Each song carries the weight and elegance of its original context, from intimate character moments to soaring ensemble showstoppers, and the accompaniments support the emotional truth of each lyric with sophisticated harmonic language.
Who it's for
This collection serves singers at all levels who are building their musical theatre repertoire, from high school performers discovering Broadway standards to professional actors preparing for auditions and performances. If you're serious about musical theatre singing, you need access to the original keys and authentic orchestrations that casting directors and accompanists expect.
How to get the most out of it
- Study the historical and contextual notes provided for each song before diving into the music; understanding the character's arc and the show's dramatic moment will inform your interpretation and song choices.
- Use the 16-bar cut suggestions as a starting point for audition preparation, but remember they're guidelines, not requirements; many casting directors appreciate a singer who knows the material deeply enough to make intentional cuts.
- Experiment with the chord voicings on the piano part to find what works for your voice and range; these transcriptions honor the original orchestrations, so the accompaniment patterns may differ from simplified lead sheets you've encountered elsewhere.
How to use it
Select songs from this collection for recital programming when you want to feature musical theatre alongside art song or classical repertoire; the variety and quality of material makes it easy to build a cohesive program that showcases your range and artistry. Use it as your primary source when preparing for musical theatre auditions, since the authentic transcriptions ensure you're learning the songs as the original composers and orchestrators intended.
Skills your students will build
- Reading piano accompaniments with complex harmonic voicings and jazz-influenced chord progressions
- Interpreting character-driven material across multiple genres and decades of theatre
- Sustaining musical storytelling over longer song forms with varied section structures
- Understanding historical context and dramatic intention in song selection and performance choices