West End Avenue (From "The Magic Show") Sheet Music Preview

West End Avenue (From "The Magic Show"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010418

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010418

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz has shaped American musical theatre across five decades with scores that blend sophisticated harmony, memorable melody, and emotional directness. His work spans intimate chamber musicals (Godspell, Merrily We Roll Along) to large-scale productions (Pippin, Into the Woods), and he has earned Grammy, Tony, and Academy Award recognition for his contributions to theatre and film. As a composer and lyricist, Schwartz has demonstrated a gift for writing songs that reveal character while remaining vocally singable and dramatically purposeful.

Beyond his Broadway achievements, Schwartz has remained invested in music education and the craft of musical theatre writing itself. His willingness to license his work for educational productions and his detailed approach to orchestration and vocal scoring reflect a deep commitment to the art form's future. For singers and teachers, his catalogue offers a masterclass in how melody, lyric, and character can work together in service of a song.

Why we love this

This collection anchors itself in Schwartz's distinctive harmonic language and character-driven storytelling, giving singers access to some of the most vocally rewarding material in the Broadway canon. The inclusion of both intimate character songs and ensemble moments means a singer preparing this repertoire builds genuine interpretive range. Original keys and authoritative transcriptions remove the guesswork from audition preparation, while the historical context and cut suggestions serve as a professional roadmap.

What to expect

These songs carry the emotional specificity and lyrical sophistication that define Schwartz's best work. Whether exploring the vulnerability of a character moment or the complexity of a relationship song, the music balances accessibility with genuine artistic substance, never pandering and always serving the dramatic truth of the moment.

Who it's for

This collection serves singers preparing serious auditions, performers building a recital repertoire, and voice students studying character song interpretation in a musical theatre context. It is equally valuable for the experienced musical theatre performer looking to explore roles outside their usual casting range or to deepen their understanding of a composer's dramatic voice.

How to get the most out of it

  • Attend to Schwartz's use of interval and harmonic surprise; these moments often land the emotional core of the song, so resist the urge to rush through them.
  • Study the lyric phrasing in relation to the melody line. Schwartz frequently places significant words on unexpected beats, which requires thoughtful breath placement and line shaping.
  • Use the 16-bar cut suggestions as a starting point for audition prep, but sing through the full song first to understand its arc and emotional trajectory.
  • Explore the relationship between the vocal line and the chord changes, particularly in songs that modulate or move through unexpected harmonic territory. This awareness deepens both musicality and confidence.

How to use it

This collection works as a foundation for musical theatre audition preparation at any level. Individual songs can anchor a song recital focused on character development or on a specific composer's aesthetic. Voice teachers can use songs from this library to introduce students to Schwartz's compositional approach while building the interpretive and technical skills audition material demands.

Skills your students will build

  • Interpreting character through vocal line and lyric emphasis
  • Singing in original keys with confidence and vocal security
  • Understanding harmonic language and modulation in contemporary musical theatre
  • Preparing audition cuts that serve the song's emotional arc
  • Connecting text phrasing to melodic contour in sophisticated arrangements

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