Just Imagine (From "Good News"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010384
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Sample Audio
Lucky To Be Me from On The Town
Sample Video
Additional Details
More about this title
About the Composer: Lew Brown
Lew Brown was a prolific lyricist and composer who shaped American musical theatre through the 1920s and 1930s, a period when the Broadway song was establishing itself as a distinct art form. Working alongside composers B.G. DeSylvia and Ray Henderson, Brown crafted lyrics that balanced wit, charm, and genuine emotional clarity, making songs that audiences wanted to hear and singers wanted to perform.
Brown's contributions to musical theatre extend far beyond individual songs; he helped define what it meant to write for the voice in a theatrical context. His work appears across shows that remain relevant to singers today because the songs themselves are built on solid craft: clear melody, singable ranges, and lyrics that tell a story without becoming precious or obscure.
Why we love this
This collection gives singers access to the original keys and authentic transcriptions from decades when Broadway songwriting was at its most focused and direct. Rather than simplified arrangements or transposed versions, you get the songs as their creators intended them, which matters enormously for auditions and serious performance study. The contextual commentary and 16-bar cut suggestions show that whoever assembled this collection understood what singers actually need.
What to expect
These songs carry the optimism and directness of their era, built on melodies that sit comfortably in the voice and lyrics that don't require gymnastics to deliver. There's a clarity and elegance to this collection that reflects a time when Broadway songs could be both accessible and genuinely sophisticated.
Who it's for
Singers preparing auditions, building their musical theatre repertoire, or studying the craft of Broadway songwriting across different eras. Teachers and coaches will find this essential for voice students serious about musical theatre performance and audition preparation.
How to get the most out of it
- Check the historical notes provided for each song; understanding the show's context and the character singing will inform your interpretation choices and help you make stronger audition decisions.
- Use the 16-bar suggestions as starting points, but consider how a full verse might serve you better in certain audition rooms where the accompanist has flexibility.
- Match your practice to the original key even if you eventually transpose; learning the song as written trains your ear and gives you a baseline for understanding where your natural placement sits.
How to use it
Include this in your voice studio as a primary reference for Broadway audition preparation, or recommend it to students preparing for musical theatre programs. Songs from this collection work beautifully in cabaret programs or themed concerts celebrating early-to-mid twentieth-century American songwriting.
Skills your students will build
- Authentic interpretation of period-appropriate vocal production and phrasing
- Understanding character and dramatic context in song selection
- Audition song selection and 16-bar excerpt cutting
- Familiarity with foundational Broadway composition style and lyric writing