Only Love (From "the Scarlet Pimpernel") Sheet Music Preview

Only Love (From "the Scarlet Pimpernel"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010409

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010409

More about this title

About the Composer: Frank Wildhorn

Frank Wildhorn is a composer whose theatrical works have shaped Broadway and regional theatre since the 1980s. His gift for sweeping melodies and emotionally direct storytelling has earned him a devoted following among singers and audiences alike, with major productions including "The Scarlet Pimpernel," "Jekyll & Hyde," and "Natasha, Pierre & The Great Comet." His scores balance accessibility with theatrical sophistication, making them favorites in both professional auditions and educational settings.

Wildhorn's compositions are known for their singability and dramatic range. He writes vocal lines that sit naturally in the voice while allowing performers to showcase their artistry and emotional depth, qualities that have made his music enduring repertoire for singers across all ranges.

Why we love this

This collection gives singers authoritative, performance-ready versions of Broadway's most rewarding material, all in original keys and drawn directly from the vocal scores. Wildhorn's gift for melody means every selection here offers singers genuinely singable lines that also demand real artistry, making these pieces equally valuable for audition prep and concert programming.

What to expect

These songs embody the theatrical confidence and emotional directness that define Wildhorn's compositional voice. Each piece invites you into a character's inner life with melodies that soar, harmonies that ground, and lyrics that cut straight to the heart of the moment.

Who it's for

Singers preparing for auditions, building audition books, or selecting concert repertoire will find this collection essential. Whether you're an emerging performer or an experienced vocalist, the combination of authentic transcriptions, historical context, and practical audition guidance makes this a working resource you'll return to repeatedly.

How to get the most out of it

  • Study the contextual notes provided for each song; understanding the dramatic situation and character will inform your interpretive choices and help you communicate the emotional arc.
  • Test both the full song and the suggested 16-bar cut in your practice sessions; familiarizing yourself with both options ensures you're prepared for any audition requirement.
  • Pay attention to the chord symbols and use them to explore different accompaniment textures; Wildhorn's harmonies often support the vocal line in subtle but meaningful ways.
  • Mark your breathing points and phrase endings early; these songs reward singers who commit fully to legit singing while maintaining conversational clarity in the text.

How to use it

Wildhorn's music translates beautifully to concert settings; consider pairing selections from this collection with other contemporary musical theatre repertoire for an evening that showcases the vitality of modern Broadway songwriting. These pieces also serve as excellent choices for solo recital programs, vocal master classes, and competitions where musical theatre repertoire is welcome.

Skills your students will build

  • Interpreting character motivation from musical and textual context
  • Sustaining legit vocal production through Broadway phrase lengths
  • Navigating contemporary harmonic language in theatrical settings
  • Preparing audition-ready material with attention to both full performance and cut versions
  • Understanding the relationship between melody and lyrical narrative

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