Love in a Home (From "Li'l Abner") Sheet Music Preview

Love in a Home (From "Li'l Abner"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010336

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010336

More about this title

About the Composer: Gene DePaul

Gene DePaul was a prolific composer whose work shaped the sound of mid-century musical theatre. His gift for crafting memorable melodies and his sophisticated harmonic language made him a sought-after collaborator for Broadway's golden age, composing for shows like Li'l Abner, Carnival, and The Golden Apple. DePaul's songs balance accessibility with genuine musical substance, a quality that has kept them in the standard repertoire for singers across all levels.

Why we love this

This collection anchors itself in authenticated vocal scores, which means you're working from the real thing rather than simplified or transposed versions. The contextual notes and cut suggestions throughout save rehearsal time while deepening singers' understanding of how each song functions within its show. You get a curated mix spanning decades, so there's room to build audition packages that feel both polished and personally resonant.

What to expect

DePaul's melodies sit warmly in the voice, with an elegance that recalls mid-century Broadway sophistication. These songs balance theatrical storytelling with genuine lyricism; singing them feels like stepping into a conversation rather than performing at an audience.

Who it's for

Singers preparing for auditions or performance who need reliable, authoritative editions in their original keys. This collection serves both those building their first audition book and experienced performers seeking fresh material that connects to Broadway's enduring repertoire.

How to get the most out of it

  • Study the historical context provided for each song; understanding the character's situation and emotional stakes will shape your phrasing in ways technique alone cannot.
  • Pay attention to DePaul's harmonic movement beneath the melody. His songs reward singers who track the underlying changes and use them to inform breath placement and dynamic shape.
  • Reference the show's original orchestration through recordings when possible. Knowing what instruments supported the original vocal line helps you imagine how your voice sits in the ensemble and guides your dynamic choices.
  • Use the 16-bar cut suggestions as starting points for audition prep, but also practice singing full songs. Understanding the arc strengthens your interpretation when you return to the shortened version.

How to use it

Build an evening of standalone songs drawn from different eras and styles, letting the variety showcase the breadth of Broadway songwriting. Alternatively, pair selections from this collection with your musical theatre scenes or monologues to create a cohesive audition package that demonstrates range across genre and character type.

Skills your students will build

  • Interpreting character motivation through lyrical subtext
  • Navigating the harmonic vocabulary of mid-century Broadway
  • Sustaining theatrical storytelling across varied song structures
  • Building audition-ready interpretation from authenticated scores
  • Connecting melody to harmonic underpinning for expressive singing

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