Windflowers (From "the Golden Apple"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010387
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Sample Audio
Lucky To Be Me from On The Town
Sample Video
Additional Details
More about this title
About the Composer: Jerome Moross
Jerome Moross (1913, 1983) was an American composer whose work spanned concert music, ballet, film scores, and musical theatre. He brought orchestral sophistication and harmonic richness to every genre he touched, earning respect across classical and commercial worlds. His Broadway scores, including The Golden Apple, demonstrate his gift for blending lyrical melody with complex musical architecture.
Moross believed that theatre music should serve the drama without sacrificing compositional integrity. His approach influenced generations of musical theatre composers who sought to elevate the form beyond simple entertainment into genuine art.
Why we love this
This collection draws from decades of Broadway history with a curator's eye for songs that actually matter musically and theatrically. The original keys and authentic transcriptions mean singers work with the material exactly as the composers wrote it, preserving the vocal placement and dramatic intent that makes each song work. The contextual notes and audition cuts transform this from a songbook into a real study tool.
What to expect
Opening these pages feels like being handed backstage access to a century of American musical theatre. The songs carry the weight of their original contexts while breathing with the kind of craftsmanship that rewards close study. There's elegance here, both in the writing and in the presentation.
Who it's for
Serious singers preparing for auditions, music theatre majors seeking authoritative vocal scores, and voice teachers building curated repertoire collections for students across different vocal ranges. This works equally well for those studying Broadway history or developing an audition book that reflects actual theatrical writing.
How to get the most out of it
- Study the historical context provided for each song; understanding the dramatic situation and era shapes how you approach the material vocally and emotionally.
- When working with the 16-bar cut suggestions, use them as a starting point but adjust phrasing to match your breath capacity and interpretive choices.
- Balance fidelity to the original key with honest assessment of your range; if a song sits uncomfortably, work with a voice teacher before transposing.
- Reference recordings of original cast performances when available; hearing how the song functioned in its theatrical moment reveals details about tempo and phrasing that notation alone cannot capture.
How to use it
Feature a song from this collection as a solo in a cabaret or concert setting to anchor a thematic program around a particular era or composer. Music theatre students can draw from the historical commentary and performance notes during class study of show scores. Voice teachers use the 16-bar cuts as ready-made audition selections while the full arrangements support recital preparation at any level.
Skills your students will build
- Reading and interpreting musical theatre scores from different compositional periods
- Sustaining legit singing technique across varied vocal styles and tessituras
- Understanding dramatic context and how it shapes vocal interpretation
- Preparing audition material with historical accuracy and artistic integrity
- Sight-reading piano/vocal arrangements with complex harmonic language