The Music Still Plays On (From "A New Brain") Sheet Music Preview

The Music Still Plays On (From "A New Brain"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010471

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010471

More about this title

About the Composer: William Finn

William Finn is a composer and lyricist whose work has defined the emotional landscape of contemporary musical theatre. His gift for intimate character study and complex emotional honesty has earned him Tony Awards and established him as a distinctive voice in American theatre, known for exploring vulnerability and human connection through music that ranges from introspective to exuberant.

Why we love this

This collection captures Finn's gift for writing songs that demand authentic emotional connection from the singer. His melodies sit naturally in the voice while requiring genuine vulnerability and specificity in interpretation, making these selections invaluable for singers preparing serious auditions or concert performances.

What to expect

Finn's songs feel like conversations with yourself, moments of painful honesty set to music that somehow makes vulnerability feel graceful. The melodies are never showy, but they unfold with the kind of inevitability that comes from a composer who understands exactly what a character needs to say and how they need to say it.

Who it's for

This collection serves singers preparing for auditions, recitals, or performance study in contemporary musical theatre, as well as voice teachers building repertoire that demands emotional maturity and musical sophistication. Whether you're exploring a specific Finn show or seeking songs that showcase introspective acting and nuanced vocal control, these transcriptions provide authentic material in performance-ready formats.

How to get the most out of it

  • Study the character context provided for each song before learning the music; Finn's lyrics are deeply specific to character psychology, and understanding the dramatic situation shapes your musical choices.
  • Pay attention to Finn's harmonic language, which often shifts to underscore emotional turns; these moments require both technical security and dramatic sensitivity.
  • Use the 16-bar cut suggestions as springboards for understanding the song's architecture, not as final decisions. Knowing why these cuts work teaches you how to shape full performances.
  • Balance the conversational quality of Finn's lyrics with the song's structural integrity; his melodies often sound spoken until you hear how they build emotional momentum.

How to use it

Program these selections for recitals or concert series focused on contemporary musical theatre storytelling, where the emotional depth of individual songs takes priority over spectacle. They work equally well as audition preparation tools or as centerpieces for a voice lesson curriculum exploring character-driven interpretation.

Skills your students will build

  • Reading vocal scores with piano accompaniment in original keys
  • Interpreting lyrics with specificity and emotional authenticity
  • Understanding contemporary musical theatre language and harmonic vocabulary
  • Preparing audition-ready performances using professional cut suggestions
  • Connecting dramatic character work to vocal interpretation

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