Some Other Time (From "On the Town"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010435
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Sample Audio
Lucky To Be Me from On The Town
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Additional Details
More about this title
About the Composer: Leonard Bernstein
Leonard Bernstein (1918-1990) was an American composer, conductor, and educator whose work bridged classical concert music and popular theatrical forms. His Broadway scores, particularly West Side Story and On the Town, revolutionized musical theatre by integrating complex harmonies, sophisticated orchestration, and genuine dramatic weight into the genre. Bernstein's gift for melody combined with his rigorous musical training made him a singular voice in American music, and his compositions remain central to the vocal repertoire.
Why we love this
Bernstein's Broadway work sits at the intersection of craft and accessibility, making this collection invaluable for singers preparing serious auditions. The original keys and authentic transcriptions from vocal scores preserve the dramatic intent of each moment, while the inclusion of audition tips and 16-bar cuts demonstrates real understanding of what singers actually need to prepare material well.
What to expect
These songs carry the urbane wit, sophisticated harmony, and emotional directness that define Bernstein's theatrical voice. Whether contemplative or exuberant, each number feels both dramatically inevitable and musically substantial, with a lyrical quality that rewards careful vocal shaping and thoughtful interpretation.
Who it's for
Singers preparing Broadway auditions at all levels, from young performers building their first audition book to seasoned professionals deepening their knowledge of classic theatre scores. This collection serves classical and music theatre voice students, as well as anyone studying Bernstein's distinctive compositional voice and theatrical sensibility.
How to get the most out of it
- Study the historical and contextual notes provided for each song; understanding the character's circumstances and emotional arc will deepen your interpretation and help you make stronger audition choices.
- Pay close attention to Bernstein's harmonic language, which often includes unexpected chord progressions and chromatic movement that require precise intonation and clear diction to land effectively.
- Explore the relationship between your vocal line and the piano part; Bernstein frequently writes countermelodies and rhythmic figures in the accompaniment that inform phrasing and shape.
- Use the 16-bar cut suggestions as a starting point, but also practice the full arrangement to understand the song's complete arc and emotional development.
How to use it
Pull individual selections for student and professional recitals, audition preparation, or vocal masterclasses focused on Broadway literature. This collection works well alongside repertoire study in vocal technique courses, allowing singers to apply healthy vocal habits to material they care about performing.
Skills your students will build
- Singing in original keys with stylistic authenticity
- Navigating complex harmonic progressions with accurate intonation
- Interpreting character through lyrical phrasing and dramatic intention
- Understanding Broadway audition conventions and cut structures
- Collaborating effectively with a pianist through detailed score study