All for You: Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010407
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Lucky To Be Me from On The Town
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Additional Details
More about this title
About the Composer: Stephen Sondheim
Stephen Sondheim fundamentally changed what musical theatre could express. His lyrics marry wit, complexity, and emotional precision to music that challenges singers technically while deepening their interpretive range. For educators, Sondheim's catalog offers unmatched opportunities to teach advanced harmonic thinking, character development through lyrical nuance, and the craft of writing songs that function as scenes.
Why we love this
This collection draws from decades of theatrical styles and vocal demands, giving singers authentic, performance-ready texts without the work of hunting across multiple scores. The contextual commentary and 16-bar cut suggestions embedded throughout mean you're not just handing over sheet music; you're providing a studied guide that respects both the material and the singer's development.
What to expect
These songs live in emotional territory that requires precision and intelligence. You'll encounter wry humor alongside genuine longing, intricate rhyme schemes alongside conversational ease. The vocal lines feel singerly without being obvious, and the lyrics consistently expect your full attention.
Who it's for
Singers preparing auditions for musical theatre programs, those building professional audition books, and voice teachers shaping students' understanding of post-Golden Age songwriting. This collection serves anyone serious about understanding how contemporary theatre music works and why these songs have remained in the repertoire.
How to get the most out of it
- Attend to the historical context provided for each song. Understanding whether a piece comes from a comedy or a darker exploration shapes how you approach the lyrics and where you place emotional weight.
- Study the 16-bar cut suggestions before rehearsal. These are crafted to preserve character and narrative arc, which means they're teaching you something about pacing and dramatic structure.
- Map the harmonic shifts Sondheim uses for emotional turns. His chord progressions often signal vulnerability or revelation; naming these moments aloud helps singers find authentic expression instead of relying on generic interpretation.
How to use it
Pair selections from this volume with classical repertoire to show singers how character development and text setting evolve across different musical traditions. Use the contextual notes as teaching material in voice studio, assigning specific songs to illustrate harmonic sophistication or lyrical craftsmanship that transfers to art song interpretation.
Skills your students will build
- Reading and performing accurate musical theatre notation in original keys
- Interpreting complex, sophisticated lyrics that require full textual understanding
- Understanding harmonic language beyond diatonic progressions
- Applying 16-bar audition cuts while maintaining dramatic integrity
- Distinguishing character voice through Sondheim's specific vocal line writing
- Connecting historical context to performance choice