Romance (From "the Desert Song") Sheet Music Preview

Romance (From "the Desert Song"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010425

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010425

More about this title

About the Composer: Sigmund Romberg

Sigmund Romberg (1887-1951) was a Hungarian-American composer who shaped the operetta and musical theatre landscape of the early twentieth century. His gift for sweeping melodies and sophisticated harmonies made him one of Broadway's most prolific and commercially successful composers, with works like The Student Prince, The Desert Song, and New Moon establishing him as a master of the romantic musical theatre score.

Why we love this

This collection gives singers access to some of Broadway's most enduring romantic material in authentic, original-key arrangements drawn directly from the vocal scores. The breadth of Romberg's catalog means singers find genuine variety within a cohesive aesthetic: lyrical ballads sit alongside character songs, each crafted with the melodic generosity that defined his era. For auditions and recitals alike, these songs offer vocalists material that sits beautifully in the voice while maintaining the theatrical sophistication audiences expect.

What to expect

Romberg's melodies unfold with generous, singable phrases that reward legit vocal technique and emotional commitment. There's an Old World elegance here, a directness of expression that feels both timeless and theatrical. Singing this music connects you to the operetta tradition while grounding you in Broadway history.

Who it's for

This collection serves singers preparing auditions and recitals who need authentic, professionally transcribed arrangements from Broadway's golden age. It's equally valuable for voice teachers building a library of age-appropriate material for intermediate and advanced students, and for anyone looking to understand the vocal writing standards of early musical theatre.

How to get the most out of it

  • Honor the legit vocal writing: Romberg composed for trained singers with secure technique and comfortable range extension. Allow the melodic lines to breathe; avoid oversinging or adding embellishments that undercut the composer's careful phrasing.
  • Use the contextual notes in the book to understand each song's dramatic moment within its show. This anchors your interpretation and helps you communicate the emotional specificity audition panels expect.
  • Work with the accompaniment thoughtfully to establish tempo and character before you enter. Romberg's songs often benefit from a clear sense of style and pulse established from the opening measures.

How to use it

Program these songs as recital anchors or audition standbys when you want material that demonstrates vocal security and theatrical maturity. The variety across the collection makes it ideal for voice study over a full season, working through different song types and emotional territories without leaving the composer's catalog. Include selections in summer intensive auditions or young artist showcase contexts where classical musical theatre material is expected.

Skills your students will build

  • Legit vocal technique and phrase management in extended melodic lines
  • Interpretation of early musical theatre style and historical context
  • Audition preparation using 16-bar cuts and professional transcriptions
  • Understanding of the operetta-to-Broadway continuum in vocal writing

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