Love Is Sweeping the Country (From "of Thee I Sing"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010438
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Description
Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).
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Lucky To Be Me from On The Town
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Additional Details
More about this title
About the Composer: George Gershwin
George Gershwin (1898-1937) bridged classical and popular music with a fluency that few composers have matched. His rhythmic vitality, harmonic sophistication, and gift for melody made him a defining voice of American musical theatre and concert music alike. Gershwin composed prolifically for stage and orchestra while still in his twenties and thirties, creating works that remain central to both the Broadway repertoire and the classical canon. His influence on how singers approach rhythm, jazz idioms, and distinctly American musical expression continues to shape vocal pedagogy and performance.
Why we love this
Gershwin's songs demand authenticity, and this collection delivers it: original keys, authoritative transcriptions from the vocal scores, and the contextual notes that help singers understand what makes each piece tick. "Love Is Sweeping the Country" sits within a carefully curated library where every song has earned its place through genuine theatrical impact, not filler. Singers gain access to material vetted by theatrical standards, which raises the bar for repertoire study and audition preparation alike.
What to expect
Gershwin's music crackles with energy and sophistication. His melodies are instantly memorable yet rhythmically adventurous; his harmonies swing and shimmer with unexpected colors. "Love Is Sweeping the Country" captures the optimistic momentum of its era while never sacrificing craft or charm. Singing Gershwin demands both technical precision and a willingness to embrace wit, urgency, and the particular flavor of American vernacular set to music that refuses to be ordinary.
Who it's for
This collection serves singers preparing for auditions, performances, and deep study of Broadway repertoire across a range of vocal categories and experience levels. Whether you're mapping out audition material, building your recital library, or teaching singers to navigate the demands of American musical theatre, you'll find professionally transcribed scores in original keys with the historical and practical context needed for confident performance.
How to get the most out of it
- Attend closely to Gershwin's syncopation and jazz rhythms; they sit differently than classical phrasing. Mark the beats clearly and internalize the groove before layering expression on top.
- Balance the conversational, almost speech-like quality of the lyrics with the song's melodic shape. Let the music support the storytelling without overdoing the drama.
- Use the 16-bar cut suggestions as a starting point for understanding the song's architecture, then practice both the full version and the cut to develop flexibility for different audition contexts.
- Explore the piano part as a dramatic partner, not accompaniment. Gershwin's harmonic language supports and illuminates the vocal line in ways that reward close collaboration.
How to use it
Position this collection at the center of audition preparation for singers interested in Broadway and mid-20th-century American musical theatre. It pairs naturally with technique work focused on rhythmic clarity and jazz phrasing, and can anchor a recital exploring the American songbook. Use the contextual notes and cut suggestions to frame study sessions that go deeper than transposition and memorization, helping singers understand the theatrical stakes of each song.
Skills your students will build
- Syncopated rhythm reading in vocal contexts
- Jazz phrasing and swing feel
- Authentic interpretation of 1930s Broadway idiom
- Understanding harmonic language specific to Gershwin and his contemporaries
- Audition strategy and song selection across different vocal ranges
- Collaborative listening with a sophisticated piano part