Old Friend (From "I'm Getting My Act Together and Taking It on the Road") Sheet Music Preview

Old Friend (From "I'm Getting My Act Together and Taking It on the Road"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010450

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010450

More about this title

About the Composer: Nancy Ford

Nancy Ford is a composer and lyricist whose work has shaped American musical theatre since the 1970s. Her collaborative partnership with Gretchen Cryer produced groundbreaking musicals including "I'm Getting My Act Together and Taking It on the Road," which became a landmark feminist work in the Broadway canon and earned Tony Award nominations. Ford's music is known for its emotional directness, sophisticated harmonic language, and ability to serve character development with precision.

Why we love this

This collection captures "Old Friend" in its original key and orchestration context, allowing singers to experience the song exactly as Ford conceived it for the stage. The surrounding repertoire spans decades of theatrical styles, giving singers access to authentic audition material they can trust for accuracy and historical integrity. For anyone serious about musical theatre, having the composer's own transcriptions eliminates guesswork about arrangement choices and vocal demands.

What to expect

Ford's music balances theatrical storytelling with sophisticated musical language. "Old Friend" and the surrounding repertoire carry the emotional weight of character-driven theatre, moments where vulnerability and self-discovery meet melody that lingers. These songs ask singers to find truth in contemporary situations, not operatic artifice.

Who it's for

This resource is essential for singers preparing auditions for musical theatre programs, callbacks, and professional productions who need Broadway material in original keys and arrangements. Music educators working with advanced vocalists can build a curated audition book from these authoritative transcriptions, confident that they represent the composer's intent. Whether you're a soprano, mezzo-soprano/alto, tenor, or baritone/bass, there's a corresponding volume in this series designed for your vocal range.

How to get the most out of it

  • Study the historical and contextual notes provided for each song; understanding the dramatic situation Ford wrote the song for will inform your vocal choices and emotional intention.
  • Use the 16-bar cut suggestions as reference points, but consider how they serve the song's arc rather than simply as shortcuts for auditions.
  • Pay attention to Ford's harmonic language, which often shifts unexpectedly; this is intentional and worth highlighting in your phrasing rather than smoothing over.

How to use it

Build audition books for your vocalists by selecting songs from this collection that match their vocal type and artistic sensibility; the variety ensures you're not teaching from one era or style. Use the historical commentary to create pre-audition coaching sessions that deepen singers' understanding of the Broadway canon. The 16-bar cuts make this practical for students preparing for time-limited auditions while maintaining artistic integrity.

Skills your students will build

  • Singing in original Broadway keys with authentic orchestration context
  • Interpreting contemporary character-driven lyrics and subtext
  • Understanding harmonic language specific to Ford's compositional style
  • Preparing audition cuts that serve the song's dramatic arc
  • Reading and interpreting performance notes from authoritative musical theatre sources

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