Madrigal Choral Sheet Music
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O Occhi Manza Mia (O Eyes of My Beloved): SSA, a cappella Choral Octavo -
O Occhi Manza Mia (O Eyes of My Beloved): SSA, a cappella Choral Octavo -
Sing We and Chant It: 3-Part Mixed, a cappella Choral Octavo -
Sing We and Chant It: 3-Part Mixed, a cappella Choral Octavo -
Now Is the Month of Maying!: SATB, a cappella Choral Octavo -
Let the Song Begin: SATB, a cappella Choral Octavo -
Let the Song Begin: SATB, a cappella Choral Octavo -
Now Is the Month of Maying!: SATB, a cappella Choral Octavo -
A Festive Madrigal: 3-Part Mixed / SAB, a cappella Choral Octavo -
A Festive Madrigal: 3-Part Mixed / SAB, a cappella Choral Octavo -
Three New Madrigals: 3-Part Mixed, a cappella Choral Octavo -
Three New Madrigals: 3-Part Mixed, a cappella Choral Octavo -
Let the Song Begin: 3-Part / SAB, a cappella Choral Octavo -
Let the Song Begin: 3-Part / SAB, a cappella Choral Octavo -
Fa Una Canzona: SSA, a cappella Choral Octavo -
Fa Una Canzona (Sing Now a Song): SSA, a cappella Choral Octavo -
Sing We and Chant It: SSA, a cappella Choral Octavo -
Sing We and Chant It: SSA, a cappella Choral Octavo -
Sing We and Chant It: SATB, a cappella Choral Octavo -
Sing We and Chant It: SATB, a cappella Choral Octavo -
One Minute Madrigal: SSA, a cappella Choral Octavo -
One Minute Madrigal: SSA, a cappella Choral Octavo -
April Is in My Mistress' Face: 3-Part Mixed, a cappella Choral Octavo -
Now Is the Month of Maying: 3-Part Mixed, a cappella Choral Octavo
About This Collection
Description
Madrigal sheet music for choirs spans centuries and styles, from Renaissance masters to contemporary composers writing in the madrigal tradition. You'll find a cappella arrangements across all standard voicings, with many titles on the Texas UIL and NYSSMA approved lists. Popular choices include O Occhi Manza Mia by Russell L. Robinson for SSA voices, Sing We and Chant It by Thomas Morley for mixed ensembles, and Let the Song Begin by Donald Moore for SATB. Whether you're building a concert program or selecting contest repertoire, these pieces balance musicality with accessibility for moderate and moderately easy ensembles.
Highlights
Teachers return regularly to O Occhi Manza Mia by Russell L. Robinson, a standout SSA a cappella piece that showcases lyrical writing. Thomas Morley's Sing We and Chant It and Now Is the Month of Maying! remain fixtures in mixed choir libraries for their blend of period authenticity and rehearsal-friendly vocal lines. Donald Moore's Let the Song Begin offers SATB choirs a contemporary madrigal with strong ensemble appeal.
Composer & Author Spotlight
Russell L. Robinson, Emeritus Professor of Music Education at the University of Florida, brings decades of international conducting and festival experience to his compositions. His work as a guest conductor at Carnegie Hall, Lincoln Center, and the Kennedy Center informs his understanding of what singers need in the rehearsal room and on stage.
Donald Moore combines organ performance training from Kent State University with a gift for melodic writing across sacred and secular idioms. His output of over 500 published works spans multiple publishers and appeals to directors seeking variety in difficulty and style without sacrificing musicality.
Jay Althouse's background in music education and his tenure with a major educational publisher shaped his approach to choral writing for ensembles at all levels. His catalog of more than 800 works demonstrates sustained attention to how composers can serve rehearsal needs while maintaining artistic integrity.