Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords
Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers") Sheet Music Preview

Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010347
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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010347

More about this title

About the Composer: Johnny Mercer

Johnny Mercer stands as one of Broadway and Hollywood's most prolific lyricists, with a gift for crafting singable, character-driven melodies that became standards across multiple generations. His work spans from Golden Age musicals to contemporary revivals, and his ability to match lyrical wit with emotional authenticity shaped how musical theatre songs are written and performed.

Why we love this

This collection anchors itself in the actual vocal scores, not simplified editions or transpositions, which means singers are learning the parts as they were written and as they'll encounter them in professional auditions. The 16-bar cut suggestions and audition-specific commentary transform what could be a reference library into genuine preparation tool for serious singers.

What to expect

These songs capture the emotional richness of musical theatre at its best: moments of vulnerability, defiance, humor, and longing that define why people love Broadway. Each selection sits comfortably in the voice while demanding real artistry and emotional commitment.

Who it's for

Singers preparing for musical theatre auditions, studying vocal styles across Broadway eras, or building a performance repertoire grounded in authoritative sources. This collection serves everyone from conservatory students to working professionals who want to ensure their material is transcribed with historical accuracy.

How to get the most out of it

  • Study the historical context provided for each song; understanding the character's situation and arc sharpens your interpretation and helps you make stronger choices about phrasing and emotional color.
  • Use the original key as written, even if it feels high or low at first. Your voice will adapt, and singing in the authentic key connects you to how the song was orchestrated and how it lands in a theatre.
  • Work through the 16-bar cuts before performing the full song. These cuts are designed for audition realities, and knowing both versions makes you flexible and prepared.

How to use it

Include audition-ready selections in studio classes or voice curricula to ground students in legitimate, professionally-sourced material. Use the contextual notes in master classes to explore how lyrical content shapes vocal interpretation across different theatrical styles and eras.

Skills your students will build

  • Interpreting character through lyrical content and dramatic context
  • Singing in original keys with stylistic authenticity
  • Understanding audition-specific song arrangement and cutting
  • Analyzing how orchestration and harmony support vocal performance
  • Building confidence with repertoire sourced from authoritative vocal scores

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