Ballad of Dependency Sheet Music Preview

Ballad of Dependency: Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010442

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010442

More about this title

About the Composer: Kurt Weill

Kurt Weill (1900-1950) was a German-American composer who fundamentally reshaped musical theatre by merging classical compositional sophistication with popular idioms. His collaborations with lyricist Bertolt Brecht produced works like The Threepenny Opera that challenged theatrical conventions and proved that challenging, socially conscious material could also captivate audiences.

Weill's gift was his ability to write melodies that lodge in memory while serving the dramatic arc of a story. His songs function equally well as concert pieces and as integral moments within their shows, making his catalogue invaluable for singers preparing audition material that demonstrates both technical skill and interpretive depth.

Why we love this

Weill's theatrical voice cuts across decades and styles in this collection, offering singers material that ranges from introspective character studies to witty comedic moments. The variety demands interpretive maturity and rewards singers who understand how to shape a phrase for emotional impact rather than simply executing the notes.

What to expect

Weill's music balances sophistication with accessibility; you'll find moments of genuine vulnerability alongside clever, urbane storytelling. These songs have a European sensibility even when set in American contexts, lending them an elegance and slight emotional distance that can feel both timeless and distinctly theatrical.

Who it's for

This collection serves singers auditioning for roles that span from classic American musical theatre through contemporary revivals and concert performances. Whether you're preparing for conservatory auditions, professional callbacks, or recital programming, these songs provide material that showcases vocal control, musicality, and dramatic intelligence.

How to get the most out of it

  • Attend to the harmonic language beneath the melody; Weill's sophisticated chord progressions often contain the emotional subtext. Let those changes inform your phrasing rather than treating them as accompaniment.
  • Consider the theatrical context of each song before you rehearse it. Understanding whether your character is confessing something private, deflecting with humor, or making a public declaration changes how you approach dynamics and tempo.
  • Work with your accompanist on the rhythmic specificity of the orchestrations. Even in piano reductions, Weill's orchestral writing creates particular grooves and textures that shape how the melody should sit within the bar.

How to use it

Select pieces from this collection for audition portfolios that require contrasting material at specific vocal ranges, or program them in recitals alongside songs from other eras to demonstrate range in both repertoire and interpretation. The inclusion of historically grounded context and cut suggestions makes these selections especially useful for singers developing their audition packages across multiple years of study.

Skills your students will build

  • Sustaining legit vocal production through Weill's wide intervallic leaps
  • Balancing comedy and pathos in character-driven songs
  • Reading and interpreting sophisticated harmonic changes to deepen phrasing
  • Making smart audition cuts that maintain dramatic coherence
  • Understanding theatrical context as a guide to vocal interpretation

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