Over the Rainbow (From "the Wizard of Oz"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010349
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Description
Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).
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Over The Rainbow from The Wizard Of Oz
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More about this title
About the Composer: Harold Arlen
Harold Arlen (1905, 1986) was one of Broadway's most prolific and inventive songwriters, composing for over 40 musical theatre productions across five decades. His gift for memorable melodies and harmonic sophistication made him a natural collaborator with some of theatre's finest lyricists, including E.Y. Harburg, Johnny Mercer, and Ira Gershwin.
Arlen's songs remain central to the musical theatre canon because they balance accessibility with genuine compositional craft. His ability to write for diverse vocal types and emotional contexts makes his work invaluable for singers preparing audition repertoire and building performance technique across multiple styles.
Why we love this
This collection brings together Arlen's most singable material in original keys with scholarly context and audition guidance that actually serves singers' real needs. The 16-bar cut suggestions alone save rehearsal time while teaching smart song selection for auditions, and the range-specific volumes mean singers aren't wading through material that doesn't sit in their voice.
What to expect
Arlen's music feels both timeless and immediately singable, with melodies that burrow into memory without sacrificing harmonic sophistication. There's joy in these songs, but also real emotional depth and vulnerability that allows singers to dig into character work alongside technical development.
Who it's for
Professional singers and serious students preparing auditions, music theatre programs, or performance recitals will find this collection invaluable. Directors building a repertoire library for voice students and choral programs can trust these transcriptions and the pedagogical support that accompanies each selection.
How to get the most out of it
- Study the contextual notes before performing. Arlen's songs often shift emotional registers within a single number; understanding the character's dramatic arc in the show informs phrasing choices that make the song land more naturally.
- Pay close attention to Arlen's harmonic vocabulary in the chord symbols. His songs frequently use secondary dominants and unexpected chord progressions that require intentional singing to avoid sounding clumsy or undercarriage.
- Use the suggested cuts as learning tools, not shortcuts. Understanding why a particular 16 bars captures the song's essence teaches you about song structure and what listeners actually need to hear.
How to use it
Slot individual songs from this collection into vocal recitals, showcase concerts, or music theatre nights; the original key transcriptions mean they sit well alongside contemporary selections or classical art songs. For voice students, assign one Arlen song per semester as both a historical study and a practical audition tool.
Skills your students will build
- Phrasing in extended melodic lines with harmonic complexity
- Interpreting secondary dominants and jazz-influenced chord progressions
- Navigating the emotional arc of character-driven songs
- Preparing performance-ready audition cuts
- Reading and singing from lead sheets with piano reduction