Jilted Sheet Music Preview

Jilted: Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010514

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010514

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music with an inventiveness that shaped American composition. His Broadway scores, written alongside his brother Ira's lyrics, blend jazz idioms with operatic structure, creating songs that demand both technical facility and emotional authenticity from singers.

Why we love this

Gershwin's theatrical songs sit at the intersection of art song and popular music, giving singers material that rewards serious interpretive work without sacrificing accessibility. The collection draws from shows spanning his career, offering audition-ready pieces that showcase both vulnerability and vocal sparkle across contrasting styles.

What to expect

These songs capture Gershwin at his most theatrical: witty, elegant, occasionally wistful, and always harmonically inventive. The material spans comic character numbers and tender ballads, all marked by that distinctive Gershwin blend of Broadway accessibility and compositional craft.

Who it's for

Mezzo-soprano and alto singers preparing auditions, building recital repertoire, or studying the development of American musical theatre. This collection serves both formal vocal study and practical performance preparation at professional and pre-professional levels.

How to get the most out of it

  • Pay attention to Gershwin's syncopation and jazz rhythms; they require precise articulation but should feel conversational, never mechanical.
  • Honor the harmonic sophistication in accompaniment choices. The chord structures often shift unexpectedly and deserve clarity from the pianist.
  • Use the contextual notes provided to ground your interpretation in the character and dramatic moment of each song within its original show.
  • Approach the lyrical phrasing with the specificity of a musical theatre performer, but allow yourself the interpretive depth you'd bring to an art song.

How to use it

Select contrasting cuts for auditions where Gershwin is requested, or program a full song from this collection as part of a musical theatre recital tracing twentieth-century American song. The historical notes and 16-bar suggestions make preparation efficient for singers on tight rehearsal schedules.

Skills your students will build

  • Interpreting jazz-inflected rhythms and syncopation
  • Handling sophisticated harmonic progressions in contemporary classical context
  • Connecting character and dramatic intention to vocal choices
  • Sight-reading from authentic vocal score transcriptions
  • Audition preparation and strategic song selection

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