Notice Me, Horton (From "Seussical the Musical") Sheet Music Preview

Notice Me, Horton (From "Seussical the Musical"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010422

Digital Download
$5.99

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Sample Audio

Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010422

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has composed music for some of Broadway's most imaginative and enduring musicals, from the whimsical world of Seussical to the sweeping orchestrations of Anastasia and Ragtime. His gift for melody and harmonic sophistication has made him a central figure in contemporary musical theatre, earning him Tony Awards and recognition as one of the most performed composers in American theatre.

Flaherty's scores demonstrate remarkable range, moving fluidly between intimate character moments and expansive ensemble sequences. His collaborations with lyricist Lynn Ahrens have produced some of the most singable and dramatically compelling music in the musical theatre canon, making his work particularly valuable for singers developing their audition and performance repertoire.

Why we love this

"Notice Me, Horton" sits within a curated collection that treats Broadway material with scholarly rigor and practical utility for singers. Having access to this song alongside dozens of others in its original key, with authentic piano-vocal transcriptions and targeted audition guidance, gives singers a professional-grade resource for building a versatile audition book that spans multiple decades of theatrical storytelling.

What to expect

Horton's plea carries the gentle persistence of someone who refuses to be overlooked, grounded in sincerity rather than desperation. The music reflects his steadfast kindness and unwavering commitment, offering singers an opportunity to explore vulnerability and conviction within a character moment that feels both theatrical and deeply human.

Who it's for

This digital download serves singers preparing auditions for musical theatre programs, professional singers building or refreshing an audition book, and vocal teachers seeking authentic scores with pedagogical support. It is particularly useful for singers working in multiple vocal ranges, as Alfred's collection includes separate volumes tailored to specific voice types.

How to get the most out of it

  • Shape the vocal line with character specificity; Horton's sincerity and earnestness depend on clarity and warmth in the delivery, not excessive ornamentation.
  • Study the piano part as orchestral texture rather than simple accompaniment, as it provides harmonic and rhythmic cues that anchor your phrasing.
  • Use the provided 16-bar cut as a learning tool to identify the song's emotional core, which then informs how you sing the full version with intentionality.

How to use it

Pair this song with other character-driven musical theatre selections when programming recitals that showcase contrasting emotional territories; Horton's earnestness pairs well alongside comedic or dramatic pieces from the same era. For singers preparing auditions, use it as part of a balanced audition book that demonstrates range across multiple voice types and theatrical genres.

Skills your students will build

  • Authentic interpretation of Broadway vocal style and diction
  • Understanding of character motivation within musical theatre storytelling
  • Sight-reading from piano-vocal scores with active harmonic awareness
  • Selective editing and adaptation for audition contexts using provided cut suggestions

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