Notice Me, Horton (From "Seussical the Musical"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010422
One moment…
Related Items
Love in a Home (From "Li'l Abner"): Piano/Vocal/Chords |
$4.99
|
View | |
The Sailor of My Dreams: Piano/Vocal/Chords |
$4.99
|
View | |
Timid Frieda: Piano/Vocal/Chords |
$4.99
|
View | |
Goodbye, Little Dream, Goodbye (From "Red, Hot and Blue"): Piano/Vocal/Chords |
$4.99
|
View | |
A Little Bit of Good (From "Chicago"): Piano/Vocal/Chords |
$4.99
|
View | |
My Love Is on the Way (From "the Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
Just Imagine (From "Good News"): Piano/Vocal/Chords |
$4.99
|
View | |
A Little Bit in Love (From "Wonderful Town"): Piano/Vocal/Chords |
$5.99
|
View | |
Windflowers (From "the Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
Long Ago (From "Half a Sixpence"): Piano/Vocal/Chords |
$4.99
|
View | |
My Man's Gone Now (From "Porgy and Bess"): Piano/Vocal/Chords |
$5.99
|
View | |
This Is All Very New to Me: Piano/Vocal/Chords |
$5.99
|
View | |
Bring on Tomorrow (From "Fame-the Musical"): Piano/Vocal/Chords |
$5.99
|
View | |
All for You: Piano/Vocal/Chords |
$4.99
|
View | |
Only Love (From "the Scarlet Pimpernel"): Piano/Vocal/Chords |
$4.99
|
View | |
Mira (From "Carnival"): Piano/Vocal/Chords |
$4.99
|
View | |
I'm a Stranger Here Myself: Piano/Vocal/Chords |
$5.99
|
View | |
Tell Me (From "Marie Christine"): Piano/Vocal/Chords |
$4.99
|
View | |
Romance (From "the Desert Song"): Piano/Vocal/Chords |
$5.99
|
View | |
Why Shouldn't I? (From "Jubilee"): Piano/Vocal/Chords |
$4.99
|
View | |
The Sun, Whose Rays Are All Ablaze (From "The Mikado"): Piano/Vocal/Chords |
$4.99
|
View | |
Some Other Time (From "On the Town"): Piano/Vocal/Chords |
$5.99
|
View | |
Love Is Sweeping the Country (From "of Thee I Sing"): Piano/Vocal/Chords |
$5.99
|
View | |
Ballad of Dependency: Piano/Vocal/Chords |
$4.99
|
View | |
Patterns (From "Baby"): Piano/Vocal/Chords |
$5.99
|
View | |
The Boy Friend (From "the Boy Friend"): Piano/Vocal/Chords |
$4.99
|
View | |
I Speak Six Languages (From "the 25th Annual Putnam County Spelling Bee"): Piano/Vocal/Chords |
$5.99
|
View | |
Safety in Numbers: Piano/Vocal/Chords |
$4.99
|
View | |
Jilted: Piano/Vocal/Chords |
$4.99
|
View | |
Yes, My Heart: Piano/Vocal/Chords |
$9.99
|
View | |
Millwork (From "Working"): Piano/Vocal/Chords |
$5.99
|
View | |
Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords |
$4.99
|
View | |
Over the Rainbow (From "the Wizard of Oz"): Piano/Vocal/Chords |
$4.99
|
View | |
My Own Best Friend (From "Chicago"): Piano/Vocal/Chords |
$4.99
|
View | |
How Can I Wait? (From "Paint Your Wagon"): Piano/Vocal/Chords |
$5.99
|
View | |
If You Hadn't but You Did (From "Two on the Aisle"): Piano/Vocal/Chords |
$5.99
|
View | |
Lazy Afternoon (From "The Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
What Is a Woman? (From "I Do, I Do"): Piano/Vocal/Chords |
$4.99
|
View | |
Zip (From "Pal Joey"): Piano/Vocal/Chords |
$4.99
|
View | |
Ladies (From "Destry Rides Again"): Piano/Vocal/Chords |
$4.99
|
View | |
Think of Meryl Streep (From "Fame-the Musical"): Piano/Vocal/Chords |
$5.99
|
View | |
West End Avenue (From "The Magic Show"): Piano/Vocal/Chords |
$5.99
|
View | |
My Cousin in Milwaukee (From "Pardon My English"): Piano/Vocal/Chords |
$5.99
|
View | |
Somewhere That's Green (From "Little Shop of Horrors"): Piano/Vocal/Chords |
$5.99
|
View | |
Old Friend (From "I'm Getting My Act Together and Taking It on the Road"): Piano/Vocal/Chords |
$5.99
|
View | |
Holding to the Ground (From "Falsettos"): Piano/Vocal/Chords |
$5.99
|
View | |
Back on Base (From "Closer than Ever"): Piano/Vocal/Chords |
$5.99
|
View | |
The Music Still Plays On (From "A New Brain"): Piano/Vocal/Chords |
$5.99
|
View | |
What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords |
$4.99
|
View | |
Mad About the Boy (From "Words and Music"): Piano/Vocal/Chords |
$5.99
|
View |
Description
Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).
Notice Me, Horton (From "Seussical the Musical"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Over The Rainbow from The Wizard Of Oz
Sample Video
Additional Details
More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has composed music for some of Broadway's most imaginative and enduring musicals, from the whimsical world of Seussical to the sweeping orchestrations of Anastasia and Ragtime. His gift for melody and harmonic sophistication has made him a central figure in contemporary musical theatre, earning him Tony Awards and recognition as one of the most performed composers in American theatre.
Flaherty's scores demonstrate remarkable range, moving fluidly between intimate character moments and expansive ensemble sequences. His collaborations with lyricist Lynn Ahrens have produced some of the most singable and dramatically compelling music in the musical theatre canon, making his work particularly valuable for singers developing their audition and performance repertoire.
Why we love this
"Notice Me, Horton" sits within a curated collection that treats Broadway material with scholarly rigor and practical utility for singers. Having access to this song alongside dozens of others in its original key, with authentic piano-vocal transcriptions and targeted audition guidance, gives singers a professional-grade resource for building a versatile audition book that spans multiple decades of theatrical storytelling.
What to expect
Horton's plea carries the gentle persistence of someone who refuses to be overlooked, grounded in sincerity rather than desperation. The music reflects his steadfast kindness and unwavering commitment, offering singers an opportunity to explore vulnerability and conviction within a character moment that feels both theatrical and deeply human.
Who it's for
This digital download serves singers preparing auditions for musical theatre programs, professional singers building or refreshing an audition book, and vocal teachers seeking authentic scores with pedagogical support. It is particularly useful for singers working in multiple vocal ranges, as Alfred's collection includes separate volumes tailored to specific voice types.
How to get the most out of it
- Shape the vocal line with character specificity; Horton's sincerity and earnestness depend on clarity and warmth in the delivery, not excessive ornamentation.
- Study the piano part as orchestral texture rather than simple accompaniment, as it provides harmonic and rhythmic cues that anchor your phrasing.
- Use the provided 16-bar cut as a learning tool to identify the song's emotional core, which then informs how you sing the full version with intentionality.
How to use it
Pair this song with other character-driven musical theatre selections when programming recitals that showcase contrasting emotional territories; Horton's earnestness pairs well alongside comedic or dramatic pieces from the same era. For singers preparing auditions, use it as part of a balanced audition book that demonstrates range across multiple voice types and theatrical genres.
Skills your students will build
- Authentic interpretation of Broadway vocal style and diction
- Understanding of character motivation within musical theatre storytelling
- Sight-reading from piano-vocal scores with active harmonic awareness
- Selective editing and adaptation for audition contexts using provided cut suggestions