The Sailor of My Dreams Sheet Music Preview

The Sailor of My Dreams: Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010339

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are All Ablaze (The Mikado) * Tell Me (Marie Christine) * This Is All Very New to Me (Plain and Fancy) * Timid Frieda (Les Timides) (Jacques Brel Is Alive & Well & Living in Paris) * Was She Prettier Than I? (High Spirits) * Why Shouldn't I? (Jubilee) * Windflowers (The Golden Apple) * Yes, My Heart (Carnival).

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Sample Audio

Lucky To Be Me from On The Town

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 196
SKU: 00-PS-0010339

More about this title

About the Composer: Jim Wise

Jim Wise is a composer and lyricist whose work spans Broadway musicals and theatrical revues. His contributions to musical theatre include collaborations on shows that showcase character-driven storytelling and accessible melodic writing, making his work particularly valuable for singers developing their craft.

Why we love this

This collection gives singers direct access to songs in their original keys from authentic vocal scores, which changes everything about preparation and confidence. The contextual notes and audition guidance transform what could be a generic songbook into a genuine study resource that respects both the material and the performer's needs.

What to expect

Moving through these selections feels like walking through Broadway history with a skilled guide. You encounter songs that run from early 20th-century operetta to contemporary musicals, each one rooted in a character's genuine moment on stage rather than existing as a generic vocal showcase.

Who it's for

This resource serves singers preparing for auditions, voice students deepening their musical theatre repertoire, and performers building a curated collection of songs that span decades of theatrical styles. Whether you're a soprano, mezzo-soprano/alto, tenor, or baritone/bass, the series provides material authentic to your range and career level.

How to get the most out of it

  • Reference the historical context provided for each song; understanding the character's world and the show's era informs phrasing and emotional intention in ways that purely technical practice cannot.
  • Use the 16-bar cut suggestions as starting points for your own analysis. Ask yourself why those measures were chosen, then experiment with finding cuts that suit your voice and interpretation.
  • Study the accompaniment patterns and chord symbols to understand the harmonic language of each era represented, which will deepen your interpretive choices across the entire collection.

How to use it

Build an audition preparation course around specific volumes, using the contextual commentary as springboards for discussion about character work and vocal storytelling. Alternatively, curate a concert program that traces the evolution of musical theatre song through carefully selected pieces, using the historical notes to frame each number for your audience.

Skills your students will build

  • Identifying and performing authentic vocal stylizations across different theatrical eras
  • Analyzing character motivation and applying it to phrasing and dynamic shaping
  • Sight-reading from full vocal scores with piano accompaniment
  • Making strategic cuts and edits while preserving musical and dramatic integrity
  • Understanding harmonic language and chord structures in musical theatre contexts

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