Mad About the Boy (From "Words and Music"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010481
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Description
Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).
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Sample Audio
Over The Rainbow from The Wizard Of Oz
Sample Video
Additional Details
More about this title
About the Composer: Neol Coward
Noel Coward (1899-1973) was a British playwright, composer, lyricist, and performer who shaped musical theatre across the 20th century. His songs blend sophisticated wit with memorable melodies, and his theatrical works remain staples of both professional and educational stages.
Why we love this
This collection gives singers access to Broadway repertoire in original keys with authoritative transcriptions from vocal scores, eliminating guesswork about which arrangement is "right." The contextual notes and audition guidance transform what could be a generic songbook into a genuine study resource that prepares singers for both artistic interpretation and the practical realities of auditions.
What to expect
These songs sparkle with theatrical sophistication and emotional depth. Whether capturing brittle glamour or genuine vulnerability, each piece demands both vocal control and interpretive intelligence, rewarding singers who bring specificity to the text and music.
Who it's for
This resource serves singers preparing auditions and recitals who need reliable, performance-ready transcriptions in original keys. It's equally valuable for voice teachers building a curated song library and for singers studying the breadth of Broadway across different eras.
How to get the most out of it
- Examine the historical context provided for each song; understanding the character's dramatic moment sharpens your interpretation and prevents generic delivery.
- Use the 16-bar cut suggestions as starting points, not final answers. Work with your accompanist or coach to identify cuts that serve the specific audition or performance.
- Pay attention to the lyrical clarity in Coward's songs. His wit depends on clean diction and intentional phrasing rather than sustained vocal display.
How to use it
Feature individual songs from this collection in voice recitals to represent mid-century Broadway sophistication. The variety of styles and characters makes it simple to build a program that showcases different facets of a singer's range and artistry.
Skills your students will build
- Interpreting theatrical character and subtext through song
- Sustaining musical line across extended phrases
- Balancing legibility of lyric with vocal production
- Understanding audition repertoire conventions and cut practices