The Gypsy in Me: Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010428
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Description
Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)
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Sample Audio
My Man's Gone Now from Porgy And Bess
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Additional Details
More about this title
About the Composer: Cole Porter
Cole Porter (1891-1964) set the standard for sophisticated musical theatre songwriting. His melodies balance memorable accessibility with harmonic complexity, while his lyrics demonstrate wit, charm, and an ear for vernacular speech that still resonates decades later. Porter's influence on American musical theatre is foundational; his songs remain central to the vocal repertoire because they reward singers who understand both their technical demands and their dramatic subtext.
Why we love this
This collection captures Porter's gift for character-driven songs that reveal personality through music and words. The range of material here spans from his operetta-influenced pieces to his more conversational theatrical moments, giving singers multiple ways to explore his compositional voice. Whether you're preparing auditions or building a recital program, these original-key transcriptions from the vocal scores ensure authenticity and eliminate guesswork about what Porter intended.
What to expect
Porter's songs swing between elegance and humor, often in the same number. You'll find moments of genuine vulnerability alongside witty social commentary, all wrapped in melodies that stay with you long after you've finished singing. The collection moves through decades of theatrical style, but Porter's unmistakable sophistication anchors every page.
Who it's for
Serious vocal students and working theatre singers preparing for auditions, callbacks, and performance. This book is equally valuable for singers building a professional repertoire and those studying Porter's craft in a formal vocal program or private studio.
How to get the most out of it
- Attend to Porter's harmonic sophistication. His chord changes often land on unexpected beats; mark these moments in your score so rhythmic security doesn't override the harmonic interest.
- Let the lyric clarity drive your phrasing. Porter's words are meant to land; don't sacrifice diction for legit technique, especially in the faster patter passages.
- Use the 16-bar cut suggestions strategically. These cuts are designed by musicians who know the material; they're invaluable for audition prep when you need to showcase the song's character without the full arrangement.
How to use it
Build a Porter-focused recital or audition set by mixing the comedic character pieces with the more lyrical ballads. These songs work beautifully in chronological programme sequences that show the evolution of musical theatre, or thematically (grouping by character type or emotional content). The variety within this single collection means you can construct a complete 20-30 minute set that demonstrates range without leaving Porter's world.
Skills your students will build
- Navigating complex harmonic progressions and unexpected chord changes
- Balancing legit vocal technique with character-driven diction and comedic timing
- Understanding Porter's approach to lyric writing and how melody supports text
- Preparing cuts and audition selections strategically using historical context
- Interpreting sophisticated character psychology through song