The Best Things in Life Are Free (From "Good News"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010372
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Description
Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).
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Sample Audio
If I Were King Of The Forest from The Wizard Of Oz
Sample Video
Additional Details
More about this title
About the Composer: Ray Henderson
Ray Henderson was a prolific composer who shaped the sound of 1920s and 1930s Broadway alongside his songwriting partners. His melodies balanced accessibility with sophistication, making him a favorite for both popular audiences and serious vocalists. Henderson's work defined an era of American musical theatre when infectious charm and genuine emotional depth weren't mutually exclusive.
Why we love this
This collection gives singers the exact material they need without compromise: original keys, authentic transcriptions, and the historical context that transforms a song from notes on a page into a living performance choice. The included audition cuts and 16-bar suggestions mean students can prepare strategically without guessing, while the range-specific volumes ensure every singer finds repertoire that sits naturally in their voice.
What to expect
These songs radiate the optimism and craftsmanship of early American musical theatre. Whether the moment calls for joy, yearning, or gentle humor, each melody sits comfortably in the voice and rewards genuine, unaffected singing.
Who it's for
Singers preparing auditions need authentic, trustworthy material in the right keys, and this collection delivers exactly that. Teachers building a structured vocal library will find dozens of pedagogically valuable songs that teach legit technique, phrasing, and interpretation across multiple styles and eras.
How to get the most out of it
- Study the historical note provided for each song; understanding the original dramatic context reshapes how you phrase and color the lyric.
- Use the suggested 16-bar cut as a starting point, but practice the full song first so you understand the complete arc before editing.
- Balance the elegance of these melodies with conversational language; Henderson's songs reward clarity of diction over vocal display.
- Pay attention to the piano voicings in the reduction; they often contain harmonic detail that informs your interpretation and helps you find the emotional center.
How to use it
Slot individual songs into diverse concert programs to represent Broadway's golden age without requiring a full production. Use this as a core text for a vocal literature course, where students can study how theatrical song composition evolved across decades. For audition preparation classes, assign selections based on each student's range and performance goals.
Skills your students will build
- Singing in original Broadway keys with accuracy and confidence
- Reading piano-vocal scores and interpreting editorial markings
- Understanding theatrical context and applying it to interpretation
- Preparing audition cuts efficiently and strategically
- Navigating varied harmonic language from early-to-mid 20th century Broadway
- Balancing legit vocal production with clear, expressive storytelling