That Mister Man of Mine (From "Dames at Sea") Sheet Music Preview

That Mister Man of Mine (From "Dames at Sea"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010519

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$5.99

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's "Aida") * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My English) * Notice Me Horton (Seussical the Musical) * Wonderful, Wonderful Day (Seven Brides For Seven Brothers) * What Nice Idea (Two Gentlemen of Verona) * If You Hadn't but You Did (Two on the Aisle ) * Over the Rainbow (The Wizard of Oz) * Millwork (Working).

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Over The Rainbow from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010519

More about this title

About the Composer: Jim Wise

Jim Wise composed the score for "Dames at Sea," the 1968 Off-Broadway musical that became a beloved revival staple. His work on the show demonstrates a gift for crafting character-driven songs that sit comfortably in the voice while capturing the theatrical wit and charm of classic musical comedy.

Wise's ability to write vocal lines that serve both the character and the singer has made "Dames at Sea" endure in audition rooms and performance spaces for decades. His score balances accessibility with theatrical sophistication, a hallmark of songs that sustain repeated performance across different skill levels.

Why we love this

This collection anchors itself in a single, authoritative source: the original vocal scores. That level of authenticity matters when you're preparing for auditions or performances where casting directors and accompanists expect to hear the music as written. The contextual notes and 16-bar cuts transform a song collection into a genuinely useful preparation tool, not just a book of lyrics.

What to expect

Opening this collection is like stepping into a curated time capsule of American musical comedy and drama. Each song carries the voice of its character and moment, from the effervescent charm of "That Mister Man of Mine" to the introspection of songs from more contemporary works. The weight of authentic transcription feels different from simplified or adapted versions; these are the songs as audiences know them.

Who it's for

Singers preparing for auditions in musical theatre, from serious students building their book to professionals maintaining and expanding their repertoire. This collection serves anyone who needs authentic versions of these songs in their original keys, ready for study or performance.

How to get the most out of it

  • Study the audition tips provided for each song. They offer insight into how these pieces function in the room and which moments need particular attention.
  • Use the 16-bar cut suggestions as a starting point, but recognize they are guides, not mandates. Your audition requirements may differ; use them to understand the song's structure.
  • Pay close attention to the chord symbols and piano part. They establish the harmonic context and often contain interpretive details that reveal the composer's intent.
  • Work with an accompanist who knows musical theatre. The rhythmic and stylistic requirements of these songs benefit from someone who understands the idiom.

How to use it

Use this as the foundation for audition preparation, whether you're working toward a specific role or building a versatile audition repertoire. The breadth of shows represented (spanning decades and styles) makes it valuable for voice students studying different musical theatre eras and character types. Its digital format means you can access, print, and annotate individual songs without carrying the full volume.

Skills your students will build

  • Reading piano/vocal scores in proper musical theatre format
  • Interpreting chord symbols and understanding harmonic function in vocal lines
  • Preparing songs for audition using industry-standard cuts and timing
  • Understanding character intention and lyrical specificity across different shows and styles
  • Sight-reading with an accompanist using authentic theatrical transcriptions

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