Stouthearted Men (From "The New Moon"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010426
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Description
Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)
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Sample Audio
My Man's Gone Now from Porgy And Bess
Sample Video
Additional Details
More about this title
About the Composer: Sigmund Romberg
Sigmund Romberg (1887-1951) was a Hungarian-American composer who dominated the operetta and musical theatre landscape of the early 20th century. His gift for crafting sweeping melodies and emotionally resonant harmonies made him one of the most performed composers of his era, with works like "The Student Prince" and "The New Moon" becoming staples of both professional and amateur musical theatre productions.
Romberg's influence on American musical theatre extends far beyond his own lifetime. His compositional approach bridged European operetta traditions and American popular song, creating music that demands vocal sophistication while remaining accessible to audiences. For singers and teachers, his catalogue represents a masterclass in lyrical writing and the art of building emotional arc through melody.
Why we love this
This collection draws from Romberg's most enduring works, capturing the theatrical sweep and vocal generosity that made him essential to Broadway's golden age. The original keys and authentic transcriptions preserve the harmonic sophistication and melodic contours that give these songs their distinctive character. For singers preparing auditions or building a recital program, access to this many quality standards in one resource simplifies the work of discovering material that suits both voice type and artistic temperament.
What to expect
Romberg's melodies breathe with romantic sweep and emotional directness. You'll find moments of intimate vulnerability alongside passages that ask for full vocal power and presence. The songs carry a sense of theatrical tradition while remaining deeply human in their emotional core.
Who it's for
This collection serves singers across experience levels who are building a repertoire of substantial musical theatre material. Whether you're an aspiring performer preparing for auditions, a seasoned vocalist seeking quality standards, or a voice teacher curating audition material for your students, the range and depth here offer something for serious artistic work.
How to get the most out of it
- Study the harmonic language carefully; Romberg's chord progressions often move by unexpected intervals, requiring clear understanding of where the song is heading harmonically so phrasing choices feel inevitable rather than arbitrary.
- Give yourself time with the piano part before singing. These accompaniments are not mere support; they carry thematic material and harmonic texture that inform how the melody should be shaped and where emphasis should fall.
- Sing through the full song multiple times without worrying about perfection first. Romberg writes for the voice in a generous way; trusting the natural arc of the melody often reveals the most effective approach to dynamics and phrasing.
How to use it
These songs work beautifully in audition preparation, where their combination of vocal substance and emotional clarity helps singers demonstrate range and interpretive skill. They also serve well in recital programs paired with other American standards or as part of a musical theatre-focused concert that celebrates this particular era of composition.
Skills your students will build
- Singing over richer harmonic language and recognizing secondary dominants, borrowed chords, and chromatic voice leading
- Sustaining legit vocal tone across extended phrases with multiple register shifts
- Shaping lyrical melody with attention to harmonic function and emotional intention
- Sight-reading from piano-vocal scores with complex accompaniment textures