Store-Bought Suit (From "The Golden Apple") Sheet Music Preview

Store-Bought Suit (From "The Golden Apple"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010361

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$4.99

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).

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If I Were King Of The Forest from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 188
SKU: 00-PS-0010361

More about this title

About the Composer: Jerome Moross

Jerome Moross (1913-1983) composed for Broadway, film, and concert hall with equal fluency, bringing a gift for lyrical melody and sophisticated orchestration to every genre he touched. His work on The Golden Apple demonstrated his ability to craft music that feels both theatrically immediate and musically substantial, qualities that made him a sought-after composer for ambitious musical theatre projects.

Why we love this

This collection gives singers access to the original keys and authentic scores from Broadway's golden and modern eras in one intelligently curated volume. The inclusion of 16-bar cut suggestions and audition notes transforms it from a songbook into a practical coaching tool, while the contextual essays deepen understanding of each song's theatrical function.

What to expect

Moving through decades of American musical theatre history, from ragtime-inflected charm to contemporary sophistication. Each song carries the distinctive theatrical personality of its show while maintaining the melodic integrity that made these scores endure.

Who it's for

This collection serves singers preparing for musical theatre auditions, students building a repertoire across different vocal ranges, and performers who want to study songs in their original keys and orchestrations. It works equally well for solo practice, voice lesson study, and performance preparation.

How to get the most out of it

  • Study the historical notes preceding each song; understanding the character's dramatic moment sharpens your interpretive choices and helps you land the emotional truth beneath the melody.
  • Reference the original vocal score transcriptions to catch articulation and phrasing marks that printed lead sheets often omit; these details distinguish polished audition performances.
  • Work from the suggested 16-bar cuts for audition preparation, but also learn the full song to understand its arc and be ready if a director requests more.

How to use it

Draw from this collection for solo recital programming that spans musical theatre history, or select songs that align with your singers' vocal ranges and current audition needs. The curated selection makes it ideal for introducing students to canonical theatre repertoire beyond what they might discover on their own.

Skills your students will build

  • Interpreting style-specific vocal production across different eras of musical theatre
  • Identifying and executing theatrical diction appropriate to each song's idiom
  • Understanding character motivation and how it shapes phrasing and dynamic choices
  • Reading and performing from authentic vocal scores with proper attention to markings
  • Preparing audition-ready performances using cut suggestions and timing considerations

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