Something to Live For (From "Sophisticated Ladies") Sheet Music Preview

Something to Live For (From "Sophisticated Ladies"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010352

Digital Download
$4.99
Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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Sample Audio

My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010352

More about this title

About the Composer: Duke Ellington

Duke Ellington stands as one of the most prolific and innovative composers in American music history. His work spans jazz, popular song, and extended classical forms, and his harmonic sophistication influenced generations of musicians across every genre. For singers and musicians, Ellington's melodies and chord changes offer both immediate appeal and deep complexity to explore.

Ellington's contributions to the American songbook extend well beyond jazz clubs. His theatrical work, including the music for "Sophisticated Ladies," demonstrates his gift for crafting vocal lines that sit beautifully in the voice while showcasing his signature harmonic language. His compositions remain essential study material for understanding how popular music and art song can occupy the same space.

Why we love this

This collection authentically preserves Ellington's song in its original key and with period-accurate voicings, which matters enormously for a composer whose harmonic palette is half the point. The contextual notes and audition guidance transform what could be a simple fakebook into a real learning tool. You get to teach singers how Ellington constructs a melody and supports it harmonically in ways that sound effortless but require serious craft to execute.

What to expect

There's a sophisticated ease to Ellington's melodies that masks their harmonic intelligence. These songs feel conversational and intimate even when they're building to moments of real emotional weight. The piano writing sits somewhere between jazz improvisation and classical composition, creating an accompaniment that's both supportive and dramatically interesting.

Who it's for

Singers preparing for musical theatre auditions or building a performance repertoire who want material in accessible keys with scholarly accuracy. Teachers and coaches working with students who need both the music and the context to understand what they're singing and why it matters. Serious amateurs and professionals alike will find this collection indispensable for study and performance.

How to get the most out of it

  • Pay attention to the chord extensions and alterations in the piano part; they define the song's character and shouldn't be simplified or glossed over in performance
  • Let the lyric phrasing guide your breath and shaping rather than fighting against it; Ellington wrote singable lines, but they require attention to natural speech rhythm
  • Use the 16-bar cut suggestions strategically for auditions, but spend time performing the full version to understand the arc and development of each song

How to use it

Feature one of these songs on a cabaret or recital program to signal musical range and maturity; Ellington material reads as both accessible and cultured. Use this collection as required study in a musical theatre survey course, pairing the historical commentary with listening and performance of different interpretations. Include a selection in an audition prep seminar where students benefit from the published cut suggestions and contextual guidance.

Skills your students will build

  • Singing jazz-influenced melodies with proper articulation and phrasing
  • Interpreting harmonic extensions and chord alterations by ear
  • Connecting lyrical content to vocal line shape and interpretation
  • Building audition packages with contextually informed song selection
  • Understanding the relationship between theatrical intention and musical structure

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