Something of My Own (From "Dessa Rose"): Piano/Vocal/Chords

This collection draws from Flaherty's distinctive compositional voice, which balances lyrical melody with harmonic sophistication that rewards close study. "Something of My Own" exemplifies his ability to write songs that feel both theatrically effective and vocally satisfying, making this volume particularly valuable for singers preparing audition material that demands both artistry and technical security.

Flaherty's songs inhabit a sophisticated middle ground between contemporary musical theatre and the American songbook tradition. These are pieces that feel both immediate and introspective, often exploring emotional complexity with musical language that respects the intelligence of both performer and listener.

Singers preparing auditions or recitals who need material in their authentic vocal range and original key, particularly those drawn to contemporary musical theatre with literary substance. This collection also serves students building a versatile audition book that spans decades of theatrical styles while maintaining the highest standards of accuracy and presentation.

• Study the original orchestration context by listening to the cast recording; Flaherty's harmonic language often includes unexpected chord changes that become clear when you hear how the orchestra supports the vocal line.
• Pay attention to the lyrical phrasing marked in the score, as Flaherty frequently writes in longer, connected phrases that require careful breath management and legit vocal technique.
• Examine the dynamic markings closely; Flaherty uses subtle shifts in dynamics to shape character and emotional arc rather than relying on extremes.
• Work with an accompanist who understands contemporary musical theatre idioms, as the chord voicings and rhythmic accompaniment patterns may differ from traditional standards.

Feature "Something of My Own" in a concert celebrating contemporary musical theatre composers, or program it alongside standards to demonstrate the evolution of theatrical songwriting. This volume works equally well as an audition preparation resource throughout the academic year and as a source for recital programming during your spring performance season.

• Reading vocal lines with complex rhythmic notation and syncopation
• Understanding harmonic language beyond diatonic tonality
• Interpreting character and emotional subtext through musical and textual detail
• Executing legit Broadway vocal technique with sustained phrases
• Building audition-ready interpretations of contemporary theatrical material