Sandy (From "Grease"): Piano/Vocal/Chords
Sandy (From "Grease") Sheet Music Preview

Sandy (From "Grease"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010370
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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010370

More about this title

Why we love this

This collection captures Broadway songs in their original keys and voicings, which means your singers hear exactly what audiences hear on the stage. The accompanying historical notes and audition cuts save preparation time while deepening musical understanding. Having 24 shows represented in one volume makes it easy to find repertoire that matches both vocal range and artistic goals.

What to expect

You're holding decades of Broadway in one volume: the swagger of classic Golden Age numbers, the contemporary urgency of modern shows, and everything in between. Each song carries the theatrical weight of its original production while remaining singable in a practice room or recital hall.

Who it's for

This collection serves vocalists preparing for auditions, whether in high school settings or professional contexts. Singers who want authoritative transcriptions from source material will find the original keys and arrangements essential for accurate preparation.

How to get the most out of it

  • Study the audition cuts first to understand how the song compresses its dramatic arc. These aren't arbitrary excerpts; they're designed to showcase what matters most.
  • Check the historical commentary before rehearsal. Knowing the character's emotional context transforms how you approach the song's phrasing and intent.
  • Lean into the Broadway tradition of clear diction. These songs were written to land in a theater; make every word heard without sacrificing legit tone.

How to use it

Pull individual songs for a Broadway-themed concert or cabaret without hunting across multiple sources. The range of styles and eras makes it ideal for assembling a varied recital program that showcases different character types and vocal colors.

Skills your students will build

  • Interpreting dramatic intention from character context
  • Navigating varied styles across Golden Age and contemporary Broadway
  • Executing audition-length cuts without losing emotional coherence
  • Connecting legit vocal technique to theatrical storytelling

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