Love Who You Love (From "A Man of No Importance"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010419
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Description
Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).
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Sample Audio
If I Were King Of The Forest from The Wizard Of Oz
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Additional Details
More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has established himself as one of contemporary musical theatre's most versatile composers, creating scores that blend classical sophistication with theatrical immediacy. His work spans intimate character studies and epic narratives, consistently earning recognition for melodic invention and emotional depth that serves singers of all levels.
Why we love this
This collection anchors itself in authentic theatrical transcription rather than simplified arrangements, giving singers genuine material from their original performance contexts. Flaherty's songs sit comfortably in the voice while demanding expressive maturity, making them equally valuable for audition prep and performance.
What to expect
These songs carry the elegance and emotional honesty of songs written for characters audiences genuinely care about. Moving through the collection feels like stepping into distinct theatrical moments, each one inviting you to explore a different facet of vocal storytelling.
Who it's for
Singers preparing auditions and recitals will find this collection indispensable, with material organized by vocal range and accompanied by audition guidance. Serious students and advanced amateurs benefit from studying songs in their original keys and authentic arrangements, building both technical skill and theatrical understanding.
How to get the most out of it
- Pay close attention to the harmonic language beneath the melody; Flaherty's accompaniment patterns often carry the emotional subtext of each lyric, so integrate the piano writing into your interpretation rather than treating it as mere support.
- Use the provided 16-bar cut suggestions as a starting point for audition work, then test different cut options based on how the song's arc feels in your voice on any given day.
- Approach the lyrics with specificity about character and context; these songs come from fully realized dramatic moments, and that theatrical grounding will deepen your connection to the material.
How to use it
Consider pairing selections from this collection in a recital that spans decades of musical theatre style; the variety of shows and eras represented makes it easy to build a thematic program. For students working toward audition readiness, returning to these songs throughout a season allows them to deepen interpretation while maintaining technical consistency.
Skills your students will build
- Interpreting theatre songs in their original keys and authentic harmonic context
- Connecting character and lyrical meaning to vocal choices
- Understanding audition preparation through provided cut suggestions and historical notes
- Sight-reading and performing from theatrical vocal scores