Love's Revenge (From "Two Gentlemen of Verona") Sheet Music Preview

Love's Revenge (From "Two Gentlemen of Verona"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010476

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010476

More about this title

About the Composer: Galt MacDermot

Galt MacDermot composed the groundbreaking score for Hair (1967), a musical that fundamentally changed what Broadway audiences expected from theatre music. His work blends rock, soul, and pop idioms with theatrical storytelling in ways that felt radical at the time and remain influential today. MacDermot has continued composing for stage and film throughout his career, bringing sophistication and accessibility to musical theatre composition.

Why we love this

This collection spans MacDermot's most distinctive work alongside songs from shows that defined different eras of Broadway, all presented in their original keys and transcribed from authentic vocal scores. The mix of comedy songs, character moments, and emotional ballads gives singers real variety to explore, and the inclusion of 16-bar cut suggestions and audition tips makes preparation straightforward for performance or study.

What to expect

Opening this collection is like walking through a museum of Broadway character moments and showstopping numbers, each with a distinct personality. From the reflective to the comedic, these songs capture the range of human emotion that Broadway does so well, accompanied by the harmonic sophistication that MacDermot and his contemporaries brought to the stage.

Who it's for

Aspiring and professional singers preparing for auditions, performing at recitals, or studying musical theatre repertoire across multiple decades and styles. This collection is especially valuable for singers who want to work from authoritative sources and understand the context of songs they're learning.

How to get the most out of it

  • Pay attention to the historical context notes provided for each song; understanding the character's situation and the show's style will inform your phrasing and emotional approach.
  • Use the original key transcriptions as written; MacDermot's harmonic language and the orchestrations behind these vocals are designed for these specific pitch centers.
  • Work through the 16-bar cuts first if you're preparing for an audition, then learn the full song; this two-step approach helps you nail the essence before tackling length.

How to use it

Draw from this collection for solo recitals, audition preparation, or cabaret-style performances where you want to showcase range across genres and decades of musical theatre. The variety of song types means you can pair an up-tempo character song with a ballad, or curate a program around a particular theme or vocal quality you want to highlight.

Skills your students will build

  • Stylistic interpretation across different musical theatre eras and genres
  • Reading piano/vocal scores with chord symbols and original orchestration cues
  • Audition preparation and song selection strategy
  • Understanding character and context in musical theatre storytelling

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