I Want to Make Magic (From "Fame-the Musical") Sheet Music Preview

I Want to Make Magic (From "Fame-the Musical"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010404

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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Sample Audio

My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010404

More about this title

About the Composer: Jacques Levy

Jacques Levy is a lyricist and composer who has shaped Broadway's musical landscape across multiple decades, contributing to shows that range from intimate character studies to large-scale productions. His work demonstrates a gift for crafting lyrics that reveal inner emotional truths while remaining singable and dramatically purposeful, making his songs particularly valuable for vocal study and audition preparation.

Why we love this

Alfred's Singer's Library curates these songs in their original keys with authentic transcriptions, eliminating the guesswork that comes from trying to learn from film versions or unofficial arrangements. The contextual notes and 16-bar cut suggestions for each song transform this from a reference book into an active audition coach, especially valuable for singers preparing for musical theatre programs or professional callbacks.

What to expect

Opening this collection is like walking through a museum of character moments spanning decades of Broadway. Each song sits comfortably in your voice while demanding genuine emotional specificity, from the vulnerability of introspection to the theatrical boldness of ensemble numbers.

Who it's for

This collection serves singers preparing for musical theatre auditions, voice students building a professional audition book, and teachers seeking repertoire that spans multiple theatrical styles and eras. It works equally well for classical voice study and contemporary musical theatre training.

How to get the most out of it

  • Study the contextual commentary provided for each song to understand the character's emotional trajectory and the specific moment in the show where this song occurs; this shapes phrasing choices that feel authentic rather than technically correct.
  • Use the 16-bar cuts as your starting point for auditions, but practice full versions in rehearsal to develop genuine understanding of the narrative arc before condensing.
  • Pay close attention to the chord symbols and consider how accompaniment choices (particularly in songs like 'Sandy' or 'Donna') can shift the emotional weight of your interpretation.

How to use it

Assign individual songs from this collection as part of your voice studio's audition preparation curriculum, or extract selections for a recital exploring musical theatre across different eras and styles. High school musical theatre programs can use it as a reference text for students preparing solos beyond their show's repertoire.

Skills your students will build

  • Interpreting character-driven vocal writing across diverse theatrical styles
  • Executing smooth transposition between published and performance keys
  • Creating effective audition cuts that preserve narrative coherence
  • Sight-reading piano-vocal scores in professional Broadway format
  • Understanding how lyrical content shapes phrasing and breath placement

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