I Want to Make Magic (From "Fame-the Musical"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010404
One moment…
Related Items
Love in a Home (From "Li'l Abner"): Piano/Vocal/Chords |
$4.99
|
View | |
The Sailor of My Dreams: Piano/Vocal/Chords |
$4.99
|
View | |
Timid Frieda: Piano/Vocal/Chords |
$4.99
|
View | |
Goodbye, Little Dream, Goodbye (From "Red, Hot and Blue"): Piano/Vocal/Chords |
$4.99
|
View | |
A Little Bit of Good (From "Chicago"): Piano/Vocal/Chords |
$4.99
|
View | |
My Love Is on the Way (From "the Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
Just Imagine (From "Good News"): Piano/Vocal/Chords |
$4.99
|
View | |
A Little Bit in Love (From "Wonderful Town"): Piano/Vocal/Chords |
$5.99
|
View | |
Windflowers (From "the Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
Long Ago (From "Half a Sixpence"): Piano/Vocal/Chords |
$4.99
|
View | |
My Man's Gone Now (From "Porgy and Bess"): Piano/Vocal/Chords |
$5.99
|
View | |
This Is All Very New to Me: Piano/Vocal/Chords |
$5.99
|
View | |
Bring on Tomorrow (From "Fame-the Musical"): Piano/Vocal/Chords |
$5.99
|
View | |
All for You: Piano/Vocal/Chords |
$4.99
|
View | |
Only Love (From "the Scarlet Pimpernel"): Piano/Vocal/Chords |
$4.99
|
View | |
Mira (From "Carnival"): Piano/Vocal/Chords |
$4.99
|
View | |
I'm a Stranger Here Myself: Piano/Vocal/Chords |
$5.99
|
View | |
Tell Me (From "Marie Christine"): Piano/Vocal/Chords |
$4.99
|
View | |
Romance (From "the Desert Song"): Piano/Vocal/Chords |
$5.99
|
View | |
Why Shouldn't I? (From "Jubilee"): Piano/Vocal/Chords |
$4.99
|
View | |
The Sun, Whose Rays Are All Ablaze (From "The Mikado"): Piano/Vocal/Chords |
$4.99
|
View | |
Some Other Time (From "On the Town"): Piano/Vocal/Chords |
$5.99
|
View | |
Love Is Sweeping the Country (From "of Thee I Sing"): Piano/Vocal/Chords |
$5.99
|
View | |
Ballad of Dependency: Piano/Vocal/Chords |
$4.99
|
View | |
Patterns (From "Baby"): Piano/Vocal/Chords |
$5.99
|
View | |
The Boy Friend (From "the Boy Friend"): Piano/Vocal/Chords |
$4.99
|
View | |
I Speak Six Languages (From "the 25th Annual Putnam County Spelling Bee"): Piano/Vocal/Chords |
$5.99
|
View | |
Safety in Numbers: Piano/Vocal/Chords |
$4.99
|
View | |
Jilted: Piano/Vocal/Chords |
$4.99
|
View | |
Yes, My Heart: Piano/Vocal/Chords |
$9.99
|
View | |
Millwork (From "Working"): Piano/Vocal/Chords |
$5.99
|
View | |
Wonderful, Wonderful Day (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords |
$4.99
|
View | |
Over the Rainbow (From "the Wizard of Oz"): Piano/Vocal/Chords |
$4.99
|
View | |
My Own Best Friend (From "Chicago"): Piano/Vocal/Chords |
$4.99
|
View | |
How Can I Wait? (From "Paint Your Wagon"): Piano/Vocal/Chords |
$5.99
|
View | |
If You Hadn't but You Did (From "Two on the Aisle"): Piano/Vocal/Chords |
$5.99
|
View | |
Lazy Afternoon (From "The Golden Apple"): Piano/Vocal/Chords |
$4.99
|
View | |
What Is a Woman? (From "I Do, I Do"): Piano/Vocal/Chords |
$4.99
|
View | |
Zip (From "Pal Joey"): Piano/Vocal/Chords |
$4.99
|
View | |
Ladies (From "Destry Rides Again"): Piano/Vocal/Chords |
$4.99
|
View | |
Think of Meryl Streep (From "Fame-the Musical"): Piano/Vocal/Chords |
$5.99
|
View | |
West End Avenue (From "The Magic Show"): Piano/Vocal/Chords |
$5.99
|
View | |
Notice Me, Horton (From "Seussical the Musical"): Piano/Vocal/Chords |
$5.99
|
View | |
My Cousin in Milwaukee (From "Pardon My English"): Piano/Vocal/Chords |
$5.99
|
View | |
Somewhere That's Green (From "Little Shop of Horrors"): Piano/Vocal/Chords |
$5.99
|
View | |
Old Friend (From "I'm Getting My Act Together and Taking It on the Road"): Piano/Vocal/Chords |
$5.99
|
View | |
Holding to the Ground (From "Falsettos"): Piano/Vocal/Chords |
$5.99
|
View | |
Back on Base (From "Closer than Ever"): Piano/Vocal/Chords |
$5.99
|
View | |
The Music Still Plays On (From "A New Brain"): Piano/Vocal/Chords |
$5.99
|
View | |
What a Nice Idea? (From "Two Gentlemen of Verona"): Piano/Vocal/Chords |
$4.99
|
View |
Description
Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)
I Want to Make Magic (From "Fame-the Musical"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
My Man's Gone Now from Porgy And Bess
Sample Video
Additional Details
More about this title
About the Composer: Jacques Levy
Jacques Levy is a lyricist and composer who has shaped Broadway's musical landscape across multiple decades, contributing to shows that range from intimate character studies to large-scale productions. His work demonstrates a gift for crafting lyrics that reveal inner emotional truths while remaining singable and dramatically purposeful, making his songs particularly valuable for vocal study and audition preparation.
Why we love this
Alfred's Singer's Library curates these songs in their original keys with authentic transcriptions, eliminating the guesswork that comes from trying to learn from film versions or unofficial arrangements. The contextual notes and 16-bar cut suggestions for each song transform this from a reference book into an active audition coach, especially valuable for singers preparing for musical theatre programs or professional callbacks.
What to expect
Opening this collection is like walking through a museum of character moments spanning decades of Broadway. Each song sits comfortably in your voice while demanding genuine emotional specificity, from the vulnerability of introspection to the theatrical boldness of ensemble numbers.
Who it's for
This collection serves singers preparing for musical theatre auditions, voice students building a professional audition book, and teachers seeking repertoire that spans multiple theatrical styles and eras. It works equally well for classical voice study and contemporary musical theatre training.
How to get the most out of it
- Study the contextual commentary provided for each song to understand the character's emotional trajectory and the specific moment in the show where this song occurs; this shapes phrasing choices that feel authentic rather than technically correct.
- Use the 16-bar cuts as your starting point for auditions, but practice full versions in rehearsal to develop genuine understanding of the narrative arc before condensing.
- Pay close attention to the chord symbols and consider how accompaniment choices (particularly in songs like 'Sandy' or 'Donna') can shift the emotional weight of your interpretation.
How to use it
Assign individual songs from this collection as part of your voice studio's audition preparation curriculum, or extract selections for a recital exploring musical theatre across different eras and styles. High school musical theatre programs can use it as a reference text for students preparing solos beyond their show's repertoire.
Skills your students will build
- Interpreting character-driven vocal writing across diverse theatrical styles
- Executing smooth transposition between published and performance keys
- Creating effective audition cuts that preserve narrative coherence
- Sight-reading piano-vocal scores in professional Broadway format
- Understanding how lyrical content shapes phrasing and breath placement