I Talk to the Trees (From "Paint Your Wagon"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010380
One moment…
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Description
Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).
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Sample Audio
If I Were King Of The Forest from The Wizard Of Oz
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Additional Details
More about this title
About the Composer: Frederick Loewe
Frederick Loewe (1901, 1988) was an Austrian-American composer whose theatrical vision defined the golden age of Broadway musicals. Working primarily with librettist Alan Jay Lerner, Loewe crafted some of theatre's most enduring scores, including My Fair Lady and Camelot, known for their sophisticated harmonic language and unforgettable melodies. His gift for writing songs that feel both intimate and grand made him a master of the musical theatre form.
For singers and music educators, Loewe's work remains essential study material. His songs demand vocal maturity, musical intelligence, and the ability to serve a clear dramatic purpose. The songs in this collection represent the breadth of his theatrical output and showcase why his influence on American musical theatre continues to shape repertoire choices decades later.
Why we love this
This collection draws from Loewe's most iconic scores while staying grounded in authentic, original-key transcriptions from the actual vocal scores. The combination of repertoire depth (spanning from early shows like The Day Before Spring to later work like Paint Your Wagon) with practical audition tools (16-bar cuts, contextual notes, performance guidance) makes it genuinely useful for serious singers preparing material. You get songs that matter, presented with the accuracy and pedagogical support that elevates this beyond a standard anthology.
What to expect
These songs carry the weight of Broadway history. You'll find tenderness in ballads like "Gigi," rhythmic sparkle in comedy songs, and moments of genuine theatrical grandeur. Loewe's melodies tend to be generous and singable, yet harmonically sophisticated enough to reveal new layers with each rehearsal. The experience of singing from this collection feels like walking through the great musical theatre moments of the 20th century.
Who it's for
This book serves singers preparing auditions, building audition repertoire, or studying musical theatre song interpretation at an advanced level. It's equally valuable for voice teachers guiding students toward Broadway material and for performers seeking authoritative, performance-ready transcriptions of canonical theatre songs. The comprehensive range of vocal types means soprano, mezzo-soprano/alto, tenor, and baritone/bass singers all have dedicated volumes.
How to get the most out of it
- Balance the relationship between voice and piano accompaniment by using the printed chords to identify harmonic underpinnings; Loewe's chromaticism rewards singers who understand where the harmony is moving.
- Approach the text with specificity. Each song serves a dramatic moment in its show, so read the contextual commentary and identify what the character wants in that moment before you sing a single note.
- Honor the rests and space in the melodic line. Loewe knew when to let silence speak, and singers often rush through these moments; trust the architecture he built.
- Pay attention to the suggested cuts if you're auditioning. The 16-bar versions provided are edited for impact, not as shortcuts; they reveal what's essential about each song.
How to use it
Build an audition preparation curriculum around this resource, having students select songs across multiple shows that suit their voice and story. You can also program a Broadway retrospective concert featuring singers from different sections of your program, creating variety while anchoring everything in Loewe's distinct musical voice. For jazz or commercial voice students, mining this collection for standards to interpret in different styles offers rich material for artistic exploration.
Skills your students will build
- Understanding dramatic context and character intention in song interpretation
- Reading and executing authentic vocal score transcriptions with piano accompaniment
- Navigating Loewe's harmonic language, including chromatic movement and modulation
- Learning audition preparation techniques, including effective song cutting and pacing
- Developing stylistic awareness across different theatrical eras and show types
- Building technical consistency across extended, legit vocal writing