Extraordinary (From "Pippin") Sheet Music Preview

Extraordinary (From "Pippin"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010416

Digital Download
$5.99
Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)

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Sample Audio

My Man's Gone Now from Porgy And Bess

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PS-0010416

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz is a composer and lyricist whose work has shaped American musical theatre across five decades. He won the Academy Award for Best Original Song for "Defying Gravity" from Wicked and has earned three Grammy Awards, four Tony nominations, and a Golden Globe. His scores for Pippin, Godspell, Wicked, and Hadestown demonstrate a gift for crafting songs that function as both theatrical moments and standalone concert pieces, making his work a cornerstone of contemporary musical theatre training.

For singers studying musical theatre, Schwartz's catalogue offers an exceptional training ground. His melodies balance accessibility with sophistication, his lyrics reward detailed character work, and his harmonic language spans from folk-influenced simplicity to complex jazz voicings. Teachers and coaches value his scores because they develop both technical facility and interpretive depth.

Why we love this

This collection gathers Schwartz's songs in their original keys from authentic vocal scores, eliminating the guesswork that comes with transcriptions from recordings or second-hand arrangements. Singers preparing for auditions or performances gain access to the exact versions Schwartz intended, complete with audition tips and 16-bar cut suggestions that respect the dramatic arc of each song. For voice teachers and coaches, having multiple Schwartz titles in one volume streamlines lesson planning and makes it simple to build a cohesive audition package around his distinctive theatrical voice.

What to expect

Schwartz's melodies stay with you long after you stop singing. His songs move seamlessly between introspection and theatrical storytelling, often finding humor and humanity in moments of vulnerability or awkwardness. Whether you're delivering a comedic character song or a tender ballad, his music invites specificity and emotional honesty, creating performances that feel both crafted and genuinely alive.

Who it's for

Singers preparing auditions for musical theatre programs, casting directors, and performers building their recital repertoire will find dozens of performance-ready selections across a variety of vocal ranges and character types. Voice teachers and coaches use this collection to assign material that develops both technique and theatrical interpretation, while singers studying Schwartz's compositional style benefit from having authentic scores and historical context in one resource.

How to get the most out of it

  • Study the lyric-melody relationship closely. Schwartz frequently sets words in unexpected places within the bar, requiring you to balance the natural speech rhythm of the text with the melodic contour. This tension is intentional and central to the song's character.
  • Use the harmonic progression as an emotional roadmap. Many of his songs modulate or shift harmonic color to track the character's emotional journey; playing or singing through chord changes helps you identify these turning points and shape your performance accordingly.
  • Reference the original cast recording after you've learned the song from the score. Comparing your interpretation to the source gives you context for phrasing and dynamics without letting the recording dictate your choices.

How to use it

Include a Schwartz song in a musical theatre showcase or cabaret when you need material that demonstrates range and character work in a single package. For voice studios, assign selections from this collection to singers at different levels of experience; the variety of keys, ranges, and dramatic demands makes it easy to find something appropriate for each student. Directors preparing singers for musical theatre auditions will appreciate having audition cuts and historical context readily available, speeding up the preparation process.

Skills your students will build

  • Singing legit musical theatre style with clear diction and balanced resonance
  • Interpreting lyrics as character monologues and dialogue
  • Managing key relationships between melody and harmonic progression
  • Building audition-ready arrangements using suggested cuts
  • Accessing the comedic and dramatic subtext in character songs
  • Navigating Schwartz's signature phrase shapes and breath points

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