Everything Old Is New Again (From "the Boy from Oz"): Piano/Vocal/Chords

This collection captures the full breadth of American musical theatre across nearly a century of writing, and the inclusion of 'Everything Old Is New Again' anchors it in the witty, character-driven sensibility that defines Peter Allen's best work. The original keys and authoritative transcriptions mean your singers can work from the same vocal and harmonic textures the composers intended, not arrangements filtered through multiple hands. The 16-bar cut suggestions alone make this an essential audition resource.

Opening this collection feels like being handed a master class from the composers themselves. Each song carries the specificity of its original context yet speaks across decades; you'll find moments of pure theatrical joy alongside quiet emotional honesty. The piano parts demand real musicianship while the vocal lines remain singable and dramatically direct.

This collection serves singers preparing for auditions, music theatre majors building their working repertoire, and voice teachers who need authoritative sources for authentic song interpretation. It's equally valuable for singers who simply want to explore the full arc of musical theatre songwriting with the confidence that every transcription reflects the composer's original intent.

• Study the historical notes for each song before rehearsing; understanding the show's context and your character's dramatic situation will unlock where the song's emotional weight actually lives.
• Treat the chord symbols as a guide to the harmony's architecture rather than a rigid roadmap; use them to understand voice leading and find places where your interpretation can breathe within the composer's harmonic framework.
• Record yourself singing with the piano part and listen back critically at least once per week; professional singers use recordings as a practice tool to catch habits and refine phrasing decisions.

Draw from this library when you're programming a Broadway-focused concert or cabaret, selecting songs that complement each other thematically or by era. It also serves as the foundation for a semester-long song study course where students analyze how songwriting craft evolved across different decades of theatre. For audition season, keep it within arm's reach as your go-to source for preparing material in original keys.

• Interpreting period-appropriate vocal style across multiple theatrical eras
• Reading and understanding lead sheet notation and chord symbols
• Selecting and executing 16-bar cuts that serve the song's dramatic arc
• Analyzing character motivation and emotional subtext through lyrical content
• Singing sustained legit Broadway vocal lines with proper breath management