Bless Yore Beautiful Hide (From "Seven Brides for Seven Brothers"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010344
One moment…
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Description
Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).
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Sample Audio
If I Were King Of The Forest from The Wizard Of Oz
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Additional Details
More about this title
About the Composer: Gene DePaul
Gene DePaul composed for Broadway during its golden age, writing music that balanced accessibility with genuine theatrical craft. His work appeared across multiple decades and genres, from comedies to musicals that pushed the form forward, demonstrating his range and adaptability as a theatrical composer.
Why we love this
This collection captures "Bless Yore Beautiful Hide" in its original key with the full context of the show's orchestration reflected in the piano part, giving singers authentic material for auditions and performance. The surrounding 187 pages of songs across multiple shows means you're getting a genuinely curated library rather than a grab bag, with each selection vetted for its theatrical moment and vocal demands.
What to expect
These songs carry the warmth and directness of mid-century musical theatre, where melody and character clarity were the primary tools. There's genuine personality in every selection, from comedic numbers to tender moments, all written with the assumption that singers know their way around a theatrical moment.
Who it's for
Baritone and bass singers preparing auditions or concert programs need authoritative sources, and this collection gives them dozens of show-appropriate options in their actual vocal range. Whether you're teaching someone auditioning for musical theatre or building a recital program that includes Broadway repertoire, this volume saves hours of hunting through incomplete or transposed versions.
How to get the most out of it
- Study the contextual notes provided with each song to understand the character's emotional trajectory in that moment; "Bless Yore Beautiful Hide" gains its charm partly from its specific narrative purpose.
- Pay attention to the rhythmic vitality of the melody. This song moves with the energy of its frontier setting, so lock the tempo and let the text drive the phrasing rather than smoothing it into something overly legit.
- Use the suggested 16-bar cuts as a starting point for auditions, but practice the full song first to understand where the music naturally climaxes and breathes.
How to use it
Assign specific songs to students based on their vocal type and audition timeline, using the historical context to deepen their understanding of how individual songs fit into larger theatrical narratives. The 16-bar suggestions make these accessible for students still building stamina while encouraging them toward the full performance eventually.
Skills your students will build
- Interpreting character voice and emotional subtext within a song's theatrical context
- Navigating original keys while maintaining vocal health and resonance
- Understanding mid-20th century musical theatre style and phrasing conventions
- Strategic use of cuts and edits for audition preparation without losing musical integrity