Alone in the Universe (From "Seussical the Musical"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010420
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Description
Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's "Aida") * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy and Bess®) * You Took Advantage of Me (Present Arms) * Alone in the Universe (Seussical the Musical) * Something to Live For (Sophisticated Ladies) * Strike Up The Band (Strike Up The Band) * Ballad of the Easy Life (The Threepenny Opera) * Calla Lily Lady (Two Gentlemen of Verona) * Love's Revenge (Two Gentlemen of Verona) * They Won't Know Me (Wish You ere Here) * If I Only Had a Brain (The Wizard of Oz)
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Sample Audio
My Man's Gone Now from Porgy And Bess
Sample Video
Additional Details
More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has composed music for some of Broadway's most inventive and celebrated musicals, from the whimsical world of Seussical to the sweeping grandeur of Anastasia and Ragtime. His theatrical voice combines accessibility with sophisticated harmonic language, making his work equally rewarding for students discovering musical theatre and singers preparing for professional auditions.
Flaherty's scores are known for their melodic generosity and emotional directness. Whether writing character songs that reveal inner conflict or production numbers that drive narrative forward, his music consistently serves the story and gives singers material that demands both technical skill and genuine emotional connection.
Why we love this
This collection pulls one of Flaherty's most emotionally vulnerable songs into a carefully curated library designed specifically for audition preparation and performance study. The piano-vocal arrangement preserves the intimacy of the original while the included 16-bar cut suggestions and contextual notes make the work accessible to singers at any experience level preparing for real auditions.
What to expect
Alone in the Universe captures the isolation and vulnerability of a character confronting their place in the world. The music sits in an emotionally exposed register; there is nowhere to hide, and the accompaniment creates space for genuine introspection rather than showiness.
Who it's for
Singers preparing auditions in their specific vocal range, music theatre students building their audition book, and performers studying Broadway repertoire at intermediate to advanced levels. This collection serves both individual voice study and classroom or studio instruction.
How to get the most out of it
- Work with the harmonic progression underneath the vocal line; Flaherty's piano writing often supports emotional shifts in the lyric, so treat the accompaniment as a character rather than background.
- Mark the dynamics and tempo changes throughout your score before rehearsing; this piece rewards attention to musical shape and breathing room between phrases.
- Refer to the contextual notes about the character and show provided in the collection to ground your interpretation in Seussical's specific theatrical world.
How to use it
Use this as a primary source for audition preparation and competitive theatre program selections. The contextual commentary and cut suggestions make it invaluable for voice teachers preparing students for college auditions or professional callbacks, and the range-specific volumes allow directors to build a coordinated recital or showcase featuring singers of similar vocal types.
Skills your students will build
- Interpreting character through musical phrasing and dynamic nuance
- Working with authentic transcriptions from Broadway vocal scores
- Understanding how to select and execute 16-bar cuts for audition contexts
- Building foundational audition repertoire in a specific vocal range
- Connecting lyrical content to harmonic and melodic choices