All of My Life (From "Do, Re, Mi"): Piano/Vocal/Chords
Ed. Lisa DeSpain
Item: 00-PS-0010472
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Description
Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).
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If I Were King Of The Forest from The Wizard Of Oz
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Additional Details
More about this title
About the Composer: Jule Styne
Jule Styne (1905-1975) composed the scores for some of Broadway's most enduring musicals, from Gentlemen Prefer Blondes and Funny Girl to Do, Re, Mi and Hallelujah, Baby! His gift for memorable melody and sophisticated harmonic language made him a cornerstone of the Golden Age of musical theatre, and his songs remain central to the audition and recital repertoire for singers across all vocal ranges.
Styne's theatrical instincts served him well across multiple media; he also composed for film and television. His melodies are known for their singability and emotional directness, qualities that have kept his work in active performance for decades. For voice teachers and their students, Styne's catalog offers an ideal balance of accessibility and artistic substance.
Why we love this
This volume assembles Styne's songs in their original keys and authentic orchestrations, eliminating the guesswork that comes with piecing together arrangements from various sources. The editorial context surrounding each selection—historical notes, audition tips, and prepared cuts—transforms what could be a simple songbook into a genuine preparation tool. Singers preparing for auditions or recitals will find this collection invaluable precisely because Styne's melodic gifts demand vocal clarity and technical control.
What to expect
Styne's music glides between elegance and warmth, balancing the sophistication of mid-century theatre orchestration with melodies that sit naturally in the voice. Whether approaching a tender ballad or a rhythmically intricate comic song, singers encounter the craftsmanship of a composer who understood exactly what voices can do. The emotional landscape ranges from romantic yearning to comic bite, all delivered with the polish of Broadway's finest era.
Who it's for
This collection serves singers preparing for auditions, recital performances, or voice studio work who need reliable, authoritative versions of Styne's theatrical songs. Voice teachers seeking diverse material that spans multiple shows and decades will find this volume essential for lesson planning and repertoire building. Serious musical theatre singers will return to this resource repeatedly across their entire careers.
How to get the most out of it
- Attend to the rhythmic precision in the vocal line, particularly in comic songs like "Store-Bought Suit." Styne's syncopations can trip up singers who haven't internalized the phrasing.
- Use the chord symbols to explore harmonic color at the piano; Styne often places his most sophisticated harmonies in moments that singers might rush past.
- Study the provided 16-bar cuts strategically during preparation so audition choices feel natural rather than abrupt when you select them.
- Shape the legit soprano lines with full vocal support; Styne's melodies sit high and demand stamina without strain.
How to use it
Program these songs when you need vocal repertoire that speaks to multiple audiences without sacrificing musical substance. Pair selections from different shows to create a recital set that showcases variety within a cohesive artistic vision. Voice studios can build semester plans around Styne's catalog, moving students through ballads, comic material, and dramatic selections that develop different technical and interpretive skills.
Skills your students will build
- Legit soprano singing with controlled breath support over longer phrases
- Syncopated rhythm reading and phrasing in theatrical contexts
- Stylistic interpretation of mid-century Broadway idioms
- Audition-ready song preparation and 16-bar cut selection
- Chord symbol literacy for collaborative piano work