After Today (From "Dr. Doolittle") Sheet Music Preview

After Today (From "Dr. Doolittle"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010446

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).

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If I Were King Of The Forest from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 188
SKU: 00-PS-0010446

More about this title

About the Composer: Leslie Bricusse

Leslie Bricusse is a British songwriter and composer whose work spans multiple decades of musical theatre, film, and television. His collaborations with composers like Anthony Newley and Henry Mancini produced some of Broadway and Hollywood's most enduring scores, including the music for "Dr. Doolittle," "Willy Wonka & the Chocolate Factory," and "Scrooge."

Bricusse's gift for melody and lyrical wit made him a sought-after voice in musical theatre during the 1960s and beyond. His compositions demand both vocal sensitivity and dramatic clarity from singers, rewarding performers who balance technical precision with genuine storytelling.

Why we love this

This collection draws from one of Broadway's most distinctive songwriting voices, and "After Today" exemplifies Bricusse's ability to craft character-driven numbers with memorable melodies that sit well for singers across ranges. The original key transcriptions and audition guidance mean singers can study and perform with confidence, knowing they're working from authoritative sources rather than transposed editions.

What to expect

Bricusse's melodies have an elegant, conversational quality that makes them feel intimate even in theatrical settings. "After Today" carries the warmth and whimsy characteristic of his work, inviting singers to connect emotionally with the material while the sophisticated harmonies add depth and sophistication to every phrase.

Who it's for

This collection serves singers preparing for musical theatre auditions, recitals, or performances who want access to songs in their original keys with scholarly context and practical audition advice. Whether you're a serious student building your repertoire or a professional vocalist returning to classic Broadway standards, this resource provides the authoritative transcriptions and guidance needed to perform these songs with confidence and authenticity.

How to get the most out of it

  • Study the character context before singing. Bricusse's songs often carry dramatic weight specific to the show; understanding why the character is singing this song will shape your phrasing and emotional choices.
  • Balance legato phrasing with clear diction. Bricusse's melodies reward sustained, connected singing, but his lyrics are equally important to storytelling, so articulate without breaking the line.
  • Use the 16-bar cut suggestions as a learning tool, not a shortcut. Work the full song first to understand its arc, then use the cuts to craft audition versions that still feel musically complete.
  • Explore the chord changes thoroughly. Bricusse's harmonies are often more sophisticated than they first appear; understanding the harmonic movement will deepen your interpretation and help your accompanist support you effectively.

How to use it

Program "After Today" in recitals where you want to spotlight classic Broadway storytelling that appeals to audiences familiar with beloved film and stage versions. The song's accessible melody and emotional directness make it equally effective as a standalone audition piece or as part of a thematic program exploring mid-century musical theatre.

Skills your students will build

  • Sustaining legit vocal tone across a full phrase without sacrificing diction
  • Interpreting character-driven material through song choice and phrasing
  • Understanding harmonic function in mid-century Broadway composition
  • Preparing audition-ready versions using professional cut suggestions
  • Sight-reading piano/vocal scores with chord symbols

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