A Jug of Wine (From "The Day Before Spring") Sheet Music Preview

A Jug of Wine (From "The Day Before Spring"): Piano/Vocal/Chords

Ed. Lisa DeSpain

Item: 00-PS-0010383

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Everything Old Is New Again (The Boy from Oz) * She's My Love (Carnival) * Those Were The Good Old Days! (Damn Yankees) * A Jug of Wine (The Day Before Spring) * Anyone Would Love You (Destry Rides Again) * All of My Life (Do Re Mi) * After Today Dr. Doolittle) * Gigi (Gigi) * Store-Bought Suit (The Golden Apple) * The Best Things In Life Are Free (Good News) * Where Do I Go? (Hair) * I Love My Wife (I Do! I Do!) * It's a Well Known Fact (I Do! I Do!) * No More (Into the Woods) * They Go Wild, Simply Wild, Over Me (Irene) * Progress Is the Root of All Evil (Lil' Abner) * Love Who You Love (A Man of No Importance) * Marriage Proposal (March of the Falsettos) * Me and My Girl (Me and My Girl) * Reviewing the Situation (Oliver!) * I Talk to the Trees (Paint Your Wagon) * Isn't It a Pity? (Pardon My English) * No One Has Ever Loved Me (Passion) * I'm Back in Circulation (Redhead) * Love's a Bond (Saturday Night) * Bless Your Beautiful Hide (Seven Brides for Seven Brothers) * I Don't Remember Christmas (Starting Here, Starting Now) * Once in a Lifetime (Stop The World . . . I Want To Get Off) * The Barber and His Wife (Sweeny Todd) * The Mansion (Two Gentlemen of Verona) * If I Were the King of the Forest (The Wizard of Oz) * A Quiet Girl (Wonderful Town).

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If I Were King Of The Forest from The Wizard Of Oz

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 188
SKU: 00-PS-0010383

More about this title

About the Composer: Frederick Loewe

Frederick Loewe (1901-1988) shaped the landscape of American musical theatre through his partnership with lyricist Alan Jay Lerner. Together they created some of the most performed and recorded musicals in history, including My Fair Lady, Gigi, and Camelot. Loewe's compositional gift lay in crafting melodies that feel both sophisticated and immediately singable, with harmonies that reward careful study without becoming pedantic.

Why we love this

This collection captures Loewe's signature melodic sophistication across a wide range of shows and vocal styles. What sets it apart from generic musical theatre compilations is the scholarly apparatus: authentic original keys, legitimate 16-bar audition cuts, and contextual notes that help singers understand what they're singing about. You get a curated library that actually serves both the learning singer and the seasoned performer preparing for real auditions.

What to expect

Loewe's melodies have a conversational elegance; even when they soar, they feel grounded in how people actually speak. These songs sit somewhere between popular song and classical art song, with the harmonic depth to sustain repeated listening and the emotional directness to land in a room.

Who it's for

This is essential for singers preparing Broadway auditions, voice students building a professional repertoire across multiple decades of theatre history, and teachers assembling study materials for serious vocal students. The range-specific volumes mean you're getting material actually written for your voice type, not transposed afterthoughts.

How to get the most out of it

  • Examine the harmonic rhythm underneath the vocal line. Loewe's songs often move through chord changes in unexpected places; knowing where the harmony shifts will anchor your phrasing.
  • Study the lyrical scansion carefully. These songs were written for specific text underlay, and Loewe's melodies often accent words in conversational ways that differ from contemporary musical theatre.
  • Use the provided 16-bar cuts as a starting point, not a ceiling. Understanding why a cut works teaches you how the song actually functions musically.

How to use it

Feature selections from this collection in a musical theatre recital or cabaret concert that spans decades, letting the evolution of Loewe's style speak across the program. For vocal studios, use individual songs as supplementary repertoire for students working on style, diction, and character interpretation alongside their classical studies.

Skills your students will build

  • Singing in original theatrical keys with proper tessitura
  • Performing 16-bar cuts with musical coherence and narrative clarity
  • Analyzing harmonic language specific to mid-20th-century musical theatre
  • Interpreting character and subtext through melodic and lyrical choices
  • Preparing material for professional auditions with authentic performance editions

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