Hare Krishna / Be In (from "Hair"): Piano/Vocal/Chords
Music by Galt MacDermot, words by James Rado and Gerome Ragni
Item: 00-PS-0011125
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Description
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More about this title
About the Composer: Galt MacDermot
Galt MacDermot composed the score for Hair, the 1968 Broadway musical that became a watershed moment in American theater. His work broke from the conventions of traditional musical theater, blending rock, soul, and pop idioms with theatrical storytelling in ways that felt urgent and authentically of-the-moment. MacDermot's compositional approach opened doors for generations of musical theater composers who followed, proving that Broadway could speak in the vernacular of contemporary music without sacrificing sophistication.
Beyond Hair, MacDermot has composed extensively for film, television, and concert stages. His willingness to move fluidly between popular and classical forms has made him a singular voice in 20th-century American composition. For music educators, his work stands as a case study in how popular idioms can be elevated to serious artistic expression.
Why we love this
This collection captures the irreverent energy and melodic invention that made Hair a turning point in musical theater. The mix of introspection, activism, and unapologetic fun gives pianists and singers genuine material to sink into, rather than diluted show tunes. Programming selections from this songbook signals to audiences that you're offering something with real cultural weight and contemporary relevance.
What to expect
These songs pulse with the optimism, urgency, and questioning that defined an era. Whether you're singing about spiritual seeking, racial identity, or the simple plea to let the sun shine in, the music has an infectious warmth beneath its edge. There's intimacy in many of these pieces, even when they're being performed with full conviction and volume.
Who it's for
This collection serves pianists and singers preparing audition material, recital programs, or thematic concert selections drawn from one of the most consequential Broadway scores ever written. Voice students exploring contemporary musical theater repertoire and accompanists supporting that work will find the piano/vocal/chord format essential.
How to get the most out of it
- Pay attention to the rhythmic freedom implied by the pop and rock idioms throughout. These songs ask for a looser relationship to the beat than traditional musical theater; use the piano accompaniment to establish groove rather than metronomic precision.
- Balance the counterculture attitude with clear diction. The lyrics in many of these numbers are both provocative and poetic, and they deserve to land with specificity.
- The chord changes often move quickly and unconventionally. Work through the changes slowly first, then let them inform your touch and phrasing rather than fighting against them.
How to use it
Select one or two standout songs to anchor a cabaret-style evening or a thematic program exploring how Broadway has engaged social issues. The breadth of this collection allows you to program contrasting moods within a single set; pair an introspective number with something celebratory. Consider using this material as a bridge between traditional musical theater study and conversations about how popular music and art music intersect.
Skills your students will build
- navigating rhythm changes between pop/rock and theatrical time signatures
- singing with idiomatic style and authenticity in contemporary musical theater
- reading chord symbols and comping patterns beyond classical harmonic analysis
- balancing lyrical clarity with groove-based accompaniment