Donna Sheet Music Preview

Donna: Piano/Vocal/Chords

Music by Galt MacDermot, words by James Rado and Gerome Ragni

Item: 00-PS-0000663

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Description
The musical Hair was a cultural phenomenon in the epoch-changing era of the 1960s. Broadway has never been the same. This songbook includes highlights from the smash hit revival of the show, which has attracted raves from audiences and critics alike. Relive the new dawning of the Age of Aquarius and let the sun shine in! Titles: Air * Aquarius * Black Boys * Colored Spade * Donna * Easy to Be Hard * Flesh Failures, The / Let the Sun Shine In * Frank Mills * Give Up All Desires * Going Down * Good Morning Starshine * Hair * Hare Krishna (Be In) * Hashish * I Believe in Love * I Got Life * I'm Black / Ain't Got No * Initials * Manchester England * My Conviction * Old Fashioned Melody / Electric Blues * Sodomy * Three-Five-Zero-Zero * Walking in Space * What a Piece of Work Is Man * Where Do I Go? * White Boys * Yes, I's Finished on Y'alls Farmlands / Abie Baby.

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Additional Details
Publisher: Alfred Music
Page Count: 150
SKU: 00-PS-0000663

More about this title

About the Composer: Galt MacDermot

Galt MacDermot (1928-2018) was a Canadian composer and conductor who shaped Broadway's sound during its most experimental period. His score for Hair broke conventions by blending rock, soul, gospel, and world music into a Broadway musical, proving that contemporary popular music could anchor a major theatrical work. MacDermot's ability to write across genres made him essential to the musical theater renaissance of the late 1960s and beyond.

Why we love this

This collection captures the raw energy and social urgency that made Hair revolutionary. The songbook includes the most recognizable numbers from the revival, giving you access to material that genuinely excites singers and pianists because it breaks from standard musical theater convention. Teaching these songs means teaching cultural history, harmonic sophistication hidden in deceptively simple melodies, and the specific rhythmic language that defines late-1960s rock-influenced theater music.

What to expect

Electric, youthful, sometimes irreverent. The music swings between introspection (the spiritual beauty of 'Let the Sun Shine In') and propulsive energy ('Good Morning Starshine'). These songs carry the optimism and questioning of a generation, and that emotional authenticity comes through whether you're playing them in a concert hall or a recording studio.

Who it's for

Pianists and singers preparing audition material, ensemble numbers, or concert programming that spans rock-influenced musical theater. High school and college vocal programs will find accessible yet substantive repertoire here. Community theater productions and professional accompanists working with singers who want Hair in their portfolio.

How to get the most out of it

  • Pay attention to rhythmic feel over strict metering. These arrangements blend Broadway convention with rock sensibility, so the groove matters as much as precision counting.
  • Use the chord symbols as a guide to improvisation and reharmonization. Many performers have recorded these songs with personal interpretations, and the basic harmonic structure supports creative variation.
  • Balance the vocal melody with the piano part rather than subordinating the accompaniment. MacDermot often writes interesting counterlines and rhythmic patterns that deserve to be heard alongside the voice.

How to use it

Feature individual songs in mixed recitals alongside other American musical theater or popular song repertoire. Create a thematic concert around 1960s cultural moments or rock-influenced theater music. Use selections as audition prep repertoire for singers working toward jazz, musical theater, or contemporary vocal specializations.

Skills your students will build

  • Reading and performing rock-influenced rhythmic notation in a Broadway context
  • Interpreting chord symbols and understanding jazz-influenced harmonies in popular song
  • Balancing sung melody with piano accompaniment that carries equal musical interest
  • Identifying and performing stylistic characteristics of late-1960s popular music within theater music

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