When I'm Not Near the Girl I Love (From "Finian's Rainbow") Sheet Music Preview

When I'm Not Near the Girl I Love (From "Finian's Rainbow"): Piano/Vocal/Chords

Item: 00-PSP-000560

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000560

More about this title

About the Composer: Burton Lane

Burton Lane (1912-1997) composed some of the most enduring melodies in American musical theatre, working across five decades with a gift for writing singable, sophisticated songs that became standards. His partnership with lyricist E.Y. Harburg on "Finian's Rainbow" (1947) produced several of the show's most memorable numbers, including this charming comedy song that showcases his ability to blend wit with genuine melodic appeal.

Why we love this

This collection gives singers authentic, authoritative versions of Broadway standards in their original keys, eliminating the guesswork that comes from pieced-together arrangements or transposed editions. The inclusion of 16-bar cut suggestions and audition tips transforms what could be a simple songbook into a genuine performance resource that respects both the songs and the singers preparing them.

What to expect

Wistful and playful all at once, this song captures the longing of being apart from someone you care about while maintaining a light comic touch. The melody flows naturally through the vocal line, inviting you to sing it conversationally even as the harmonic language beneath keeps things musically sophisticated.

Who it's for

Singers preparing Broadway auditions or recitals benefit from having authoritative versions of standards in their original keys, eliminating transposition confusion and ensuring they sound as the composers intended. Voice teachers use collections like this to build students' repertoire systematically while introducing them to the craft of musical theatre songwriting across different eras.

How to get the most out of it

  • Study the piano part carefully. Lane's accompaniments are elegant and specific; they reveal the harmonic language beneath the melody and provide essential support for your phrasing.
  • Take time with the comedic timing in the lyrics. The humor lands only when the rhythm and emphasis serve the words, not the other way around.
  • Use the contextual notes provided to understand where this song sits in the show's story; that dramatic knowledge informs vocal choices and emotional delivery.

How to use it

Program this alongside other comedy songs from the Golden Age to show the range of character work available in that era, or use it in a recital pairing songs about love and relationships from different shows. It works particularly well as a lighter moment following a more dramatic selection, since its charm and humor offer genuine contrast.

Skills your students will build

  • Singing comedy material with clarity and rhythmic precision
  • Interpreting piano/vocal scores and using accompaniment as a musical partner
  • Audition preparation and song selection for specific vocal ranges
  • Understanding harmonic language and vocal phrasing in mid-20th century Broadway composition
  • Applying historical context to shape performance choices

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