Come to My Garden (From "The Secret Garden") Sheet Music Preview

Come to My Garden (From "The Secret Garden"): Piano/Vocal/Chords

Item: 00-PSP-000668

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000668

More about this title

About the Composer: Lucy Simon

Lucy Simon composed the score for The Secret Garden, the 1991 Tony Award-winning musical that brought Frances Hodgson Burnett's beloved novel to the Broadway stage. Her work on the show earned her a Tony nomination and established her as a significant voice in contemporary musical theatre, blending lyrical sophistication with emotional depth that serves the intimate storytelling at the heart of the play.

Why we love this

This collection gives singers direct access to songs in their original Broadway keys and vocal arrangements, eliminating the guesswork that often comes with finding reliable transcriptions. The inclusion of audition cuts and contextual notes means singers can prepare strategically for real performance situations, not just theoretical study.

What to expect

Come to My Garden carries the quiet wonder of discovery, with a melody that unfolds like Mary finding beauty in a place she thought was dead. The music has an almost folk-like simplicity that belies its emotional complexity, asking the singer to find intimacy within an open, expressive vocal line.

Who it's for

This resource serves audition-ready singers and students preparing for musical theatre study or professional work. Whether you're building a recital repertoire, preparing for college auditions, or simply deepening your understanding of contemporary Broadway vocal writing, this collection provides authentic, musically sound material you can trust.

How to get the most out of it

  • Study the historical note provided for this song to understand its dramatic context within The Secret Garden; knowing what Mary is feeling as she sings shapes your phrasing and emotional choices.
  • Pay attention to how Simon's melody sits in your passaggio; this song rewards singers who navigate the shift between registers with legit, connected tone rather than pushing or backing off.
  • Use the original key to honor Simon's orchestration choices; if transposition becomes necessary, adjust minimally to preserve the song's vocal architecture and the specific color she composed.

How to use it

Include this song in a recital showcasing contemporary musical theatre writing that appeals beyond the typical Broadway vocal repertoire. It pairs well with other Stephen Sondheim-era songs that prioritize character development through melody, creating a thematic arc around transformation and emotional awakening.

Skills your students will build

  • Singing legit Broadway soprano lines with musical theatre diction and phrase control
  • Understanding song context and dramatic motivation as tools for interpretation
  • Navigating sustained legit singing in the upper-middle register with healthy breath support
  • Preparing a song for audition using cut suggestions and performance notes

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