Is It Really Me? (From "110 in the Shade") Sheet Music Preview

Is It Really Me? (From "110 in the Shade"): Piano/Vocal/Chords

Item: 00-PSP-000583

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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1 Forty Days --:--
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Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000583

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt composed the score for "110 in the Shade," the 1963 musical adaptation of N. Richard Nash's play "The Rainmaker." Working alongside lyricist Tom Jones, Schmidt created a warm, character-driven score that captures the emotional landscape of a small Arizona town during drought. His gift for melody and his ability to write songs that deepen character development rather than interrupt the narrative made him a significant figure in the development of the American musical theatre.

Why we love this

This collection gives singers access to songs in their original keys and with the authentic transcriptions from Broadway's vocal scores, eliminating the guesswork that comes with unofficial arrangements. The inclusion of audition tips and 16-bar cuts for each song transforms this from a reference book into a practical audition tool that acknowledges the real demands singers face in the studio and on the audition circuit. Paired with authoritative historical context, it bridges the gap between casual Broadway appreciation and serious musical theatre study.

What to expect

"Is It Really Me?" is an intimate, introspective moment that reveals vulnerability and self-doubt beneath the surface of everyday conversation. The song sits comfortably in the middle register, allowing the singer to emphasize lyrical storytelling and emotional honesty over vocal display, making it a piece where genuine connection to the character's inner life becomes the primary instrument.

Who it's for

Singers preparing for musical theatre auditions, whether in university programs, community theatre, or professional settings, will find this collection invaluable for its authenticity and practical audition guidance. Voice teachers working with Broadway-focused students gain a curated resource of songs across vocal ranges, complete with historical context that enriches their students' understanding of the material. Performers in professional regional theatres and Broadway-adjacent productions benefit from having the original vocal scores transcribed accurately and immediately accessible.

How to get the most out of it

  • Study the historical and contextual notes provided for each song before you begin learning it; understanding the character's circumstances and emotional arc will shape your interpretive choices and keep you from defaulting to generic Broadway delivery.
  • Work with the chord symbols to explore the harmonic structure while learning your line, especially if you're accompanying yourself or working with a pianist who values flexibility in tempo and phrasing.
  • Reference the 16-bar cut suggestions as a starting point for audition preparation, but treat them as guidelines rather than rules; some directors will have different preferences, and knowing the full song deeply means you can execute any cut with confidence.

How to use it

Include this song in a musical theatre masterclass or workshop focused on character songs and emotional authenticity, pairing it with material from other shows to illustrate how strong composers write moments of self-revelation. It works equally well as an audition piece or as part of a cabaret or concert program exploring the softer, more introspective side of Golden Age Broadway.

Skills your students will build

  • Interpreting character motivation and emotional subtext in a song
  • Reading and performing from authentic vocal score transcriptions
  • Executing 16-bar cuts while maintaining musical coherence and narrative clarity
  • Understanding the historical and dramatic context of a song within its original show

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